"I think it's very early for us to see how AI is going to impact us all, especially documentary filmmakers. And so I embrace technology, and I encourage everyone as filmmakers to do so. We're looking at how AI is facilitating filmmakers to tell stories, create more visual worlds. I think that right now we're in the play phase of AI, where there's a lot of new tools and you're playing in a sandbox with them to see how they will develop. I don't think that AI has developed to the extent that it is in some way dramatically changing the film industry as we speak, but in the next two years, it will. We have yet to see how it will. As someone who creates films, I always experiment, and then I see what it is that I'd like to take from that technology as I move forward." Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. “I think it's very early for us to see how AI is going to impact us all, especially documentary filmmakers. And so I embrace technology, and I encourage everyone as filmmakers to do so. We're looking at how AI is facilitating filmmakers to tell stories, create more visual worlds. I think that right now we're in the play phase of AI, where there's a lot of new tools and you're playing in a sandbox with them to see how they will develop. I don't think that AI has developed to the extent that it is in some way dramatically changing the film industry as we speak, but in the next two years, it will. We have yet to see how it will. As someone who creates films, I always experiment, and then I see what it is that I'd like to take from that technology as I move forward.”