Description
As a filmmaker working today, you will no doubt hear a cinematographer, DIT and/or a colourist talk about LUTs. So what even is a LUT and what do you need to know? In this fun episode, senior colourist Angela Cerasi breaks it down for you so that next time you hear about them you can participate confidently in the conversation.
In the final episode of the season, senior colourist Angela Cerasi explores the ways in which grading commercials is unique from drama and documentary. She explains how colour work for motion picture is different to print advertisements and touches on colour perception.
Published 09/07/20
In life and in art, light and darkness can be representative of good and evil, hope and fear. But what else can it symbolise? How can light and darkness be used as a visual motif and how can it be used in the colour grade to add deeper meaning to your imagery? Senior colourist Angela Cerasi...
Published 08/31/20
HDR is a superior picture format which now comes as standard in most modern TV's and devices. It is also becoming a required deliverable that filmmakers need to provide streaming platforms. So what are the basics that you need to know? And how can finishing in HDR be used to enhance your...
Published 08/24/20