Thinking Through Physical Media (w/Scott Tanner Jones)
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Description
In the final episode of the latest season – Neil’s solo adventure – Neil talks to filmmaker, writer and comedian Scott Tanner Jones about collecting physical media. In an episode with a similar approach to the previous one with Kat Flint-Nicol, Neil brings to the podcast a conversation about themes and ideas that permeate his thinking around a particular area of film, and wider popular culture. In this episode Neil and Scott discuss their approaches to collecting films (and records) in physical form. The conversation takes in areas such as curating what you watch, interest in particular physical media boutique labels, how physical media isn’t the be all and end all, cataloguing the year in film in different ways, studio interest and care in their back catalogues, Scott’s favourite places in his adopted hometown of LA to watch movies, the demand on our eyeballs and they answer the question, is David Lynch quirky? Films discussed in this episode include Cocoon, Something Wild, Midnight Cowboy, E.T., Midnight Run, MaXXXine, La Chimera, Evil Does Not Exist and Hit Man. To close out the episode and season, Neil shares some of his thoughts on his favourite releases of 2024 so far, and his first half of the year in film watching more broadly. — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we’ll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists’ Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
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