Caroline A. Jones is Professor in the History, Theory, and Criticism section, Department of Architecture, MIT. She studies modern and contemporary art, focusing on its technological modes of production, distribution, and reception, and on its interface with science. She has also worked as a curator, including three exhibitions at MIT's List Visual Arts Center: Hans Haaken, Video Trajectories, and Sensorium. Her exhibitions and/or films have been shown at NY MoMA, SF MoMA, the Hirshhorn DC, and the Hara Museum Tokyo, among other venues. Publications include Machine in the Studio (1996/98), Picturing Science, Producing Art (co-editor, 1998), Sensorium (editor2006), Eyesight Alone (2005/08), Experience (co-editor, 2016) and The Global Work of Art(2016). Caroline is currently working on the most important and radically original project on Symbiontics. Caroline's faculty page: https://architecture.mit.edu/people/caroline-jones More on Symbiontics: https://brooklynrail.org/2020/07/criticspage/Symbiontics-a-view-of-present-conditions-from-a-place-of-entanglement https://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biosphere https://mitpress.mit.edu/9780262544481/symbionts/ The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com