The Director's Cut 500th Episode Special
Listen now
Description
The 500th episode of The Director's Cut! To celebrate, we are highlighting some of our most notable discussions over our nine years on the air. We'll be revisiting the futuristic dunes of Arrakis, the streets of 1970s Mexico City, the trenches of WW1-era Europe and more as filmmakers give insight into their process of building incredible cinematic experiences. Thank you so much to everyone who has participated in our conversation series over the years, and to you, our listeners, for supporting our show and our member’s work since we started this podcast in 2015. You can find links to our featured Q&As below, or you can check out our full catalog wherever you listen to podcasts: Everything Everywhere All at Once https://dga.org/en/Events/2022/May2022/EverythingEverywhere_QnA_0422 Once Upon a Time... In Hollywood https://dga.org/en/Events/2019/Oct2019/Tarantino_OnceUponATimeInHollywood_QnA_0919 Lady Bird https://dga.org/en/Events/2018/Jan2018/LadyBird_QnA_1117 Roma https://dga.org/en/Events/2018/Dec2018/Roma_QnA_1118 Dune https://dga.org/en/Events/2021/November2021/Dune_QnA_1021 BlacKkKlansman https://dga.org/en/Events/2018/Oct2018/BlacKkKlansman_QnA_0818 Wonder Woman https://dga.org/en/Events/2017/August2017/WonderWoman_QnA_0617 The Irishman https://dga.org/en/Events/2019/Dec2019/Irishman_QnA_1019 The Shape of Water https://dga.org/en/Events/2018/Jan2018/GuillermodelToro_ShapeofWater_QnA_1217 Bridge of Spies https://dga.org/en/Events/2015/Dec2015/BridgeofSpies_QnA_1015
More Episodes
Director Hallie Meyers-Shyer discusses her new film, Goodrich, with fellow Director Max Minghella in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses creating the titular role with Actor Michael Keaton in mind, having audiences react in the way she hoped after...
Published 11/04/24
Director Jason Reitman discusses his new film, Saturday Night, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses originally conceptualizing the film as a one-take to play out in real time, recording the score live on set with...
Published 10/31/24