Description
Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.
Phil Hebblethwaite examines five classical musical hoaxes and controversies, from the early twentieth century to the modern day. These are origin stories that have fooled and perplexed some of the greatest experts. In an age of misinformation, when faking it has never been more prevalent, the...
Published 11/06/24
Phil Hebblethwaite examines five classical musical hoaxes and controversies, from the early twentieth century to the modern day. These are origin stories that have fooled and perplexed some of the greatest experts. In an age of misinformation, when faking it has never been more prevalent, the...
Published 11/06/24
Phil Hebblethwaite examines five classical musical hoaxes and controversies, from the early twentieth century to the modern day. These are origin stories that have fooled and perplexed some of the greatest experts. In an age of misinformation, when faking it has never been more prevalent, the...
Published 11/06/24