Tim Hecker, one of the leading voices in experimental electronic music (sometimes referred to as "ambient") joins The Film Scorer Podcast! Tim and I primarily talk about his score to the new film Infinity Pool, a psychedelic, nasty ride with an equally wowing, disorienting score. Among the stranger aspects of the score is that Tim actually utilized the sounds of Mediterranean cicadas, spending hours trawling through YouTube for the perfect samples before eventually turning them into a sort of Baltic banjo in a Deliverance homage for the regressive, yet future-forward dystopian mythical island state on which the film takes place. We then get into, among other things, the problematic nature of the "ambient" genre label and our increasing disconnect with music. One note on this interview: after the introduction, it begins mid-conversation between Tim and I. Our pre-interview small talk started going too deep, so I felt the need to capture it and keep it going rather than abruptly stop it to start a more "formal" interview. You can find out more about Tim on his website. Infinity Pool is now available on demand and Tim's score, as well as many of his other works, is available digitally on all major platforms. Although the score is not available there, most of Tim's works are available directly through bandcamp.