Tom Service explores Ravel's Bolero – a classical chart-topper, concert-hall-filler and the soundtrack to Torvill and Dean's Olympic skating glory. Written in 1928, Ravel described it as a 'piece without music in it' and agreed with the lady at the Paris premiere who shouted 'rubbish! rubbish!' over the applause. But he also admitted that with Bolero he had gambled and won, making one of the most experimental and popular pieces of orchestral music ever composed.

Tom Service assesses the history of the Masters of the King's (or Queen's) Music - a pantheon of 21 names, some brilliant, some average, some really rather forgettable. What have the incumbents done with their time in the post, and how has the role changed in recent years? And how do they compare with their equivalents in literature, the Poets Laureate? With literary historian Oliver Tearle.

Tom Service delves into the deep (and often dark) worlds of Judith Weir's fairy-tale and folk-inspired operas, including Blond Eckbert and The Vanishing Bridegroom.

Inspired by David Attenborough’s Wild Isles series, Tom Service goes in search of music that reflects British wildlife and wilderness, and our relationship with it. From the songs of Henry Purcell written whilst wolves still roamed the British Isles to orchestral representations of composers like Hamish MacCunn, Grace Williams and Ralph Vaughan Williams, and the score for Wild Isles itself, written by the Oscar nominated film composer George Fenton. But perhaps truly wild music isn’t music...

Tom Service takes you on a journey into the extraordinary world of Stravinsky's ballet Petrushka, based on an archetypal puppet myth that shares the story of Punch.

Tom Service with a guide to music written for and performed at weddings.

Tom Service intrepidly explores Bluebeard's Castle - the one-act Symbolist opera by Hungarian composer Bela Bartok first performed in 1918 which features just two characters: Duke Bluebeard and his fourth wife Judith. Newly married, he brings her home to his murky castle for the very first time, where she finds a torture chamber, armoury, treasury, garden, and lake of tears. And unfortunately for Judith, it's not long before she discovers just what happened to those first three wives... With...

Tom Service explores Luciano Berio's Sinfonia - an iconic piece of the late 1960s modernism, scored for orchestra and eight amplified voices who speak, whisper and shout texts by Samuel Beckett and Claude Lévi-Strauss. This groundbreaking work also incorporates a mass of musical quotations, from Bach to Stockhausen and everything in between. Tom's witness is the virtuoso sitarist and composer Jasdeep Singh Degun, who like Berio, took Monteverdi's opera Orfeo and reinvented it. Produced by...

Tom Service examines Mozart's final masterpiece - a work shrouded in mystery, rumour and deception. He’s joined by Dr Kathryn Mannix, a specialist in palliative care, who considers the factors of creativity - and music-making in particular - at the end of life.

The Listening Service - an odyssey through the musical universe with Tom Service. Join him on a journey of imagination and insight, exploring how music works. Today - repetition. It's been estimated that in 90 per cent of the music that we hear in our lives, we're hearing material that we've already listened to before, And if you think about the music you love the most - it's often built on repeated patterns, phrases and riffs. So why do we need our music to be so...

"I gave everything to it I was able to give. What I have here accomplished, I will never achieve again." So said child prodigy, virtuoso pianist, intellectual, conductor and composer Camille Saint-Saëns about his wildly successful 1873 ‘Organ Symphony’. Famously featured in the 1995 porcine Disney film Babe, it’s still immensely popular today. But where did it come from? What was Saint-Saëns trying to achieve and how influenced was he by his Parisian contemporaries? With organist Anna Lapwood...

The musical and military features of the march seem pretty unpromising terrain for composers - you’ve got to constrain your creativity to two-time, easy to remember tunes that keep pace in strict time. And yet the form of the march allows for more creativity than those strictures might suggest. Tom falls in with composers including Elgar, Coates, Sousa, Strauss, Tchaikovsky and Beethoven to discover how the march can beat the drum for many different ideas and emotions. With historian, Prof...

Tom Service delves into David Lang's secular take on the Christian Passion: The Little Match Girl Passion. Winning the Pulitzer Prize in 2008, the work, scored for chorus and percussion, and lasting barely more than half an hour, takes inspiration from both Bach's St Matthew Passion and Hans Christian Andersen's famous children's story, The Little Match Girl.

Made famous by Stanley Kubrick’s 2001: A Space Odyssey, the tone poem Also Sprach Zarathustra which was composed by a young Richard Strauss in 1896 is much more than just two minutes of cosmic fanfare. Based on Friedrich Nietzsche’s philosophical novel inspired by the ancient Iranian prophet Zoroaster, its nine sections explore everything from passion, science, joy and death, to learning, convalescing, dancing and night wandering… But as a new year dawns how do the drama, power and epic...

Tom Service delves into the music of Benjamin Britten and explores the unusual stories behind some of his best-loved festive works, including St Nicolas and A Ceremony of Carols.

Tom Service plunges into the heady sound world of Debussy's Prélude à l'après-midi d'un faune. "The flute of the faun brought new breath to the art of music" according to composer Pierre Boulez - how does Debussy do it? A ten-minute piece of music that apparently broke all the existing rules of harmony and yet is as minutely detailed as any miniature. And what do flautists make of the famous opening solo - we hear from principal flute player with the London Symphony Orchestra, Gareth...

Tom Service takes a musical dive into the decadent sound world of Bertolt Brecht and Kurt Weill's epoque-making The Threepenny Opera.

Tom explores Steve Reich’s 1988 work Different Trains, its use of sampling and speech melodies, and its evocation of the Holocaust. Our witness is the author and journalist Jonathan Freedland. Producer: Ruth Thomson

Tom Service explores the story behind the very first orchestral tone poem and one of the best-loved pieces in classical music: Mendelssohn's Hebrides Overture. Cave expert Prof Stuart Jeffrey shares his insights into Fingal's cave (which inspired Mendelssohn to write his overture), from its many famous visitors over the years to its extraordinary - and sometimes disconcerting - acoustic.

Tom Service explores musical ecstasy from techno to classical, dissecting 'Ecstasio' by the British composer Thomas Ades and talking to the Dutch composer and DJ Junkie XL

Tom Service explores how and why storms and extreme weather events have inspired classical composers from Beethoven to Britten. With meteorologist, space physicist, and double bass player Dr Karen Aplin. Producer: Ruth Thomson

The immense power of chant to transform both the listener and the chanter has ensured the survival of this ancient musical form. Starting with the Abbess Hildegard of Bingen, Tom explores how chant has resonated across a thousand years of music, taking in American Hopi and Buddhist chants and the Hildegurls, a 21st century reading of Hildegard's music.

Tom Service waves his magic wand to explore the connections between music and magic, discovering how an 18th century German poet, 19th century French composer, and 20th century cartoon mouse, cast a spell over audiences everywhere in The Sorcerer's Apprentice. With magician, performer, and academic Naomi Paxton on what happens when a trick goes wrong... Producer: Ruth Thomson

Tom Service explores television themes with Oscar-winning composer Anne Dudley, who wrote the music for Poldark, Black Narcissus, and Jeeves and Wooster.

Did music begin in ancient cave systems? How did medieval cathedrals inspire musical developments? What effect does a particular concert hall have on the music heard there, or the music on the design of the concert hall? And what can we do with our 21st-century ability to change our acoustic environment at the touch of a button? Tom Service looks at the relationship between music and its surroundings, and how that relationship has developed over the centuries.