More of a marketing effort than a serious investigation
I was expecting an enthusiastic deep dive into ALL aspects of this album. Instead I found shallow waters. Santana’s Abraxas is a dynamic, exciting, well-edited, and beautifully-sequenced album which has maintained its vitality for five decades. Host Jill Hopkins is the opposite. There’s a sluggish quality to her presentation, which is very badly edited BTW. Personal anecdotes are fine, but five minute digressions try one’s patience. Her pacing is rather lackluster. And her “jokes” often fall flat. Abraxas was meticulously recorded, and all instruments have audio presence. In contrast, this series really could have used better attention to the sound… especially for a podcast series which focuses on an audio art form. The research is sloppy. And not all the expert commentators are up to the challenge. There’s a poor sense of context beyond frequent references to the Beatles, the late 60’s, San Francisco at that time, etc. So many missed opportunities. Mati Klarwein, for example, was a fascinating figure deserving more time than he was given. Yes, he did the cover art for a couple Miles Davis albums. But how about the racial politics of the moment when he met Yusef Lateef? His role in the psychedelic movement? His friendship with Salvador Dali? Overall, a quickly-thrown together bit of marketing which promises more than it delivers.
Mark Kingsley via Apple Podcasts · United States of America · 02/19/21
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