Description
A singer or instrumentalist performing a song is like an actor bringing a script to life or a cook working from a recipe – every interpretation is going to have its own flavor. And the vast and unpredictable range of those interpretations is of enduring interest to Bill Adler, the host of this podcast.
Episode one tracks the twists and turns to which a great song entitled “The Three Bells” has been subjected over the course of the last 80 years. We start w/ Ray Charles in 1971, travel back to the treatment accorded it by a country music trio known as The Browns in 1958, then blast back to the song's birth in French under the name “Les Trois Cloches” as performed by Edith Piaf in 1946. Reversing our steps, we shoot forward to a jaunty reggae version by the Jamaican singer Ken Parker in 1972, then to a post-disco dance version in French by Tina Arena in the year 2000, and ultimately to a present-day hip-hop version inspired by the rejiggering on YouTube of the soundtrack accompanying the scene of a murder depicted on the “The Sopranos” tv show.
We invite you to sit back and enjoy the trip. And if you’d like to listen to all of the episode’s songs in their entirety, kindly check out our playlist on Spotify.
This week’s case study -- the final episode of our first season -- began life as a soulful ballad entitled “One Step Ahead” by the one and only Aretha Franklin. Released on the Columbia label in 1965, the record scarcely made a splash. In 1999, more than 30 years after its initial release, the...
Published 11/01/24
Episode five is devoted to “Watermelon Man,” the first song on the first album by the pianist Herbie Hancock, released when he was just 22 years old. In 1963, less than a year later, the adventurous Cuban bandleader and conga player Mongo Santamaria cut an irresistible Latin-esque version of it,...
Published 10/25/24