On this week’s mini-episode, I want to answer a question from our community about lesson planning. Here it is: “How do you plan? I’m struggling to put together a series of lessons that culminate into a bigger assignment. For example, if I want my students to end up writing a persuasive essay, what would I plan to prepare them to write it? Do you go with a theme? Make it part of a novel study? I’m struggling!” OK, this is a big question, but I’m ready for it.  In today’s episode, we’re digging into planning and demystifying the process. You’ve probably heard the phrase “plan with the end in mind.” The concept of backwards design, now widely used for planning, comes from Jay McTighe and Grant Wiggins’ book, Understanding by Design. The University of Illinois’ “Center for the Advancement of Teaching Excellence” online site has a useful quick summary. Let me give you the speedy version here: First, you figure out what you want your students to be able to do. Then you figure out how they could show that they can do it. Then you plan the activities and assessments that will get them there.  So let’s apply this planning frameworks  to today’s problem - how do you plan a unit around a persuasive essay? The goal is to have students write a strong essay, presumably with some specific characteristics appropriate to their level. Along the way, they can show their mastery of elements of the final work through smaller argument practices, then they’ll show their overall mastery in the essay. But what would be good activities to build in along the way?  The easy go-to for preparing for an essay would be to write lots of short pieces throughout the unit, which really could be centered on anything. You could embed work like this into a novel study, a deep dive into short stories, book clubs, poetry, or even podcasting. This will give you an inviting structure  in which to situate your writing practice. You can practice thesis statements, introductions, text analysis paragraphs, and conclusions based on your larger unit. And you can think about how to come at each one from different angles and with different types of prompts to help students stay interested. You can share mentor texts, incorporate peer review, station work, and writing makerspace elements. There are so many ways to practice these skills.  Here’s how I might plan the first week of a poetry unit focused on a final product of a persuasive essay.  Monday I might do a deep dive on a contemporary poet, sharing two of her performance pieces and doing some creative writing around her work with my students. Then I might share an online article about this poet, arguing that she should have been the winner of a prestigious spoken word poetry competition and ask student to identify the thesis statement in the article and discuss, in partners, whether or not they find the argument convincing.  Tuesday I might look at a contemporary poem in both its written and spoken form, and have a mini debate about which format feels more compelling. Then dive into a mini-lesson on thesis statements and have kids practice writing a thesis for the question we just debated, plus gather two pieces of evidence that could help them make their argument.  Wednesday we might start by trading those theses and giving each other feedback based on a checklist, then move into a pop-up poetry workshop and create performance pieces of our own.  Thursday we might look at a performance piece and work on annotating a text version of it, then again practice developing a thesis statement about it and gathering evidence.  Friday we might start with a mini-lesson on writing a full  introduction and then write a practice introduction around that thesis statement looking at several models, before moving into our regular First Chapter Friday program for choice reading.  Now I’ve planned one week of the unit building toward my final assessment but also moving throu