Episode 260: Darrell Scott emerged in the late 1990s as one of Nashville’s most complete folk/roots artists. He had the butter of James Taylor and the grease of Lowell George in his voice. He could pick numerous instruments like a practiced master. And his songs were stunning from the get go, including his widely-recorded “You’ll Never Leave Harlan Alive” and his crowd favorite “Great Day To Be Alive” on his debut project. Now, Scott lives mostly on a farm two hours from Nashville tending the...

Episode 259: When East Nashville emerged as a nationally important music scene in the early 2000s, Amelia White was one of the reasons. Like so many others, she’d migrated from elsewhere (Boston and Seattle) to find a nurturing community full of collaborators and enablers, including her longtime recording partner and guitar player Dave Coleman. She was included on a seminal anthology of East Nashville songs. And she set up a rhythm of writing, recording and touring domestically and...

Episode 258: For a band that released its independent debut album in 2017, the Teskey Brothers have come a long way. From our perspective here in Nashville, that would be 9,700 miles, the distance to their home town of Warrandyte, New South Wales, Australia. Raised on classic soul and R&B music, Sam and Josh Teskey started making music together as kids and became staples of the Melbourne music scene. They didn’t have huge aspirations, but when their first record knocked out people close...

Episode 257: When you live in Nashville and chase the essence of country music, you find it's very much alive at residency shows like New Monday at the Station Inn. That's where master musicians Val Storey, Larry Cordle and Carl Jackson play a range of original and classic songs that connect country to bluegrass. It's magic, especially because of Val Storey's remarkable voice. She's the best country singer most people have never heard of. And after decades of singing for and with others, she...

Episode 256: Vince Gill and Paul Franklin, titans of Nashville music, first recorded together in 1989 and have been friends even longer than that. Gill is of course a Country Music Hall of Famer, while Franklin is in a different Hall of Fame - for the pedal steel guitar. Over the years in the studio and on stage, they've made the most of the euphoric blend of the voice, guitar, and steel, which is where Gill says he locates the very heart of country music. Ten years ago they made Bakersfield,...

Episode 255: Ed Snodderly is more than just an exceptional singer-songwriter. He's a culture maker and culture keeper for the rich roots music region of East Tennessee. Raised near Knoxville, he launched into music in the mid 70s as an artist and as co-founder of the iconic Down Home listening room in Johnson City, TN. His band the Brother Boys made an impact and his songs have been covered and even enshrined at the Country Music Hall of Fame. Now he's released arguably his best album, a...

Episode 254: Ed Jurdi and Gordy Quist have built a remarkable creative partnership over the past 17  years, ever since their fates collided at an Austin bar called Momo's. Songwriter residencies blurred into a proto band, and before long they were killing it in Texas and beyond as The Band of Heathens. It's been a consistent, resilient group, releasing impressive albums and playing soul satisfying country flavored rock and roll with excellent songwriting and singing. The most recent album...

Episode 253: Brennen Leigh moved decisively beyond the pandemic and the end of a long partnership to release three remarkable albums in less than three years. They tell a story of a traditional country artist with a strong point of view and a keen eye for character and humor. Prairie Love Letter was inspired by growing up in rural Minnesota where she developed a love for picking and singing. The western swing project Obsessed With The West taps a friendship she made with Asleep At The Wheel...

Episode 252: The story of Peter One is as warming as his music. As a young man in his native Côte d’Ivoire, he latched on to folk and country music more than most of his peers, until he met collaborator Jess Sah Bi, with whom he formed a celebrated, socially conscious duo in West Africa. Both had to leave the country due to political turmoil, and Peter One started over in the US, first in Delaware then in Nashville where he moved for a career in nursing. A rediscovery and reissue of his best...

Episode 250: Craig contemplates genre-bending while introducing two guests this week who straddle the seemingly disparate worlds of indie rock and folk music. Eric D. Johnson is the veteran mastermind of the long running collective Fruit Bats. Raised in Chicago and based in Los Angeles, he came up with his friends in The Shins and Modest Mouse. Over time, his Fruit Bats project refined an esthetic all its own. The latest is A River Running To Your Heart. Meanwhile, in Canada, young songwriter...

Episode 249: One key reason that Dwight Yoakam exploded into country music consciousness in 1986 was the electric guitar and electrifying record production of his friend and bandmate Pete Anderson. Anderson moved from his native Detroit to Los Angeles and found himself in a powerful partnership that changed the sound of country and sold around 25 million records. After more than 15 years, Anderson pursued his own interests, including a bluesier side of his guitar and record production in his...

Episode 248: For all of the sardonic honky tonk music of his early albums and the more character-driven folk music on albums like Upland Stories and Gone Away Backward, Robbie Fulks can trace a strong bluegrass thread through his career. He grew up loving Doc Watson in North Carolina, picked up the banjo and flatpicked guitar as a kid, and joined the venerable bluegrass band Special Consensus as he established himself in the Chicago music scene. He’d touch on the genre here and there, but now...

Episode 247: Layng Martine Jr. earned a slot in the Nashville Songwriters Hall of Fame with numerous hits for a range of artists that included Reba McEntire, The Pointer Sisters and Elvis himself. He thought he was retired, but when his son Tucker, one of the most respected producers and recording engineers in indie music, gave his father the studio time and resources to make his first real album as an artist as he approached 80 years old, a series of sessions in Portland, OR became Music...

Episode 246: Alison Brown found her life's work early when she started playing banjo as a pre-teen growing up in southern California. But it took some time and real life experience - a Harvard degree, another MBA and a couple of years in banking - before she finally gave herself permission to chase a music career. She toured with Alison Krauss in her early days and then formed her own bands, earning her rep as an innovative, jazz-oriented virtuoso player. She's released about a dozen albums...

Episode 245: Dom Flemons made history founding the Carolina Chocolate Drops, an old-time band that changed the face of roots music in the 21st century. Through found songs and tunes learned at the feet of old masters, they won a Grammy Award, played the Grand Ole Opry and opened up new lanes for Black musicians finding their voice in folk. Since parting ways in 2013, Flemons has been a lynchpin of the folk music scene, an “American songster” who plays a wide range of instruments and who puts...

Episode 244: William Prince grew up on country and gospel music in rural Manitoba on the Peguis First Nation reserve, getting a grounding from his minister/musician father. Now Prince is a musical minister of sorts, making a strong mark on north American folk music with his sincerity, gravitas and beautiful baritone voice. His formal debut won Canada's JUNO Award for best contemporary folk album, and his twin releases in 2020 were well attuned to the spiritual yearning of the pandemic...

Episode 243: Canada’s coolest couple - more than 12 years into their joint venture called Whitehorse - is on a creative tear, releasing three albums in two years, all of which came with a portfolio of daring and whimsical graphic design, photography and video. The albums flow, from the zesty indie-rock leaning Modern Love in March 2021 to the psychedelic wonder whirl of Strike Me Down, which arrived six months later. Then in January of this year came I’m Not Crying You’re Crying, the most...

Episode 242: Craig reports from Knoxville, TN and the tenth edition of the world-renowned Big Ears Festival. Conceived by Knoxville native Ashley Capps as a showcase for modern and avant-garde music, it’s broadened to encompass just about every genre and concept from around the world. This year saw a record number of folk/roots/Americana artists, playing alongside some of the world’s elite jazz, electronic and experimental creators. Craig offers a history of the festival, thoughts from Ashley...

Episode 241: San Francisco-based Miko Marks hit brick walls when she made her first run at country music in the mid 2000s, when the industry was systemically impenetrable to independent artists and even more so artists of color. After taking more than a decade away from her passion, Marks was inspired to reconnect with her band and producers, and this time, she found a lane, made possible by excellent music. She's released three recordings in two years, each more interesting than the last,...

Episode 240: Emily Nenni didn't fall in love with country music and then move to Nashville. She did the reverse, using the city's honky tonks and local haunts like country music college. And instead of the lure of the CMA Awards, the Bay Area native dove fully into the traditional end of the pool. Her sparky voice and detail-rich songs grabbed the attention of New West Records, which released her breakout album On The Ranch late last year. Also in the hour, a talk with New York writer...

Episode 239: She sounds like she was born into a country music family, but Sunny Sweeney was actually a late and somewhat reluctant bloomer as an artist. Her friends had to beg her to record her first album when she was playing bars in Austin. But that album got picked up by a Nashville label and got her to the Grand Ole Opry. The major label system was a bad fit, but Sunny has pursued an exemplary indie career in the years since. Her mix of smarts, sass and lonesome blues infuses her latest...

Episode 238: Cellist and composer Larissa Maestro enjoys a rich and diverse career as a Nashville session and stage musician. When she came to town in 2007, she had a music degree and flexible expectations about what she'd find in a place she'd never been. Now she's a veteran of creative collaborations with Margo Price, John Legend, Brandi Carlile and Allison Russell, who's just had Maestro arrange the strings for her next album. In 2022, she was named Americana Instrumentalist of the Year....

Episode 237: Ron Sexsmith's brilliant solo debut album of 1995 - the one with the song "Secret Heart" - was on the verge of being overlooked and forgotten when Elvis Costello endorsed it as one of his favorite projects in a major magazine. It changed the conversation about the young balladeer and he was quickly recognized as one of Canada's finest songwriters. Now a dozen great artists have covered "Secret Heart" and Ron is 17 albums in to a rewarding and esteemed career. We talk about those...

Episode 236: It would be difficult to name one musician with such long and distinguished resumes as both a recording artist and a record producer as Joe Henry. Since emerging around 1990 as a layered, visionary songwriter, he's released 17 albums to almost universal acclaim. And since his tutelage under T Bone Burnett, stemming from one of his early albums, he's been an in-demand producer with credits on Amy Helm, Bonnie Raitt, the Carolina Chocolate Drops and many more. I spoke with Joe by...

Episode 235: After a remarkable life in show business and soul music, Charles "Wigg" Walker moved back to his native Nashville in the 90s, and he's been an important fixture in Music City ever since, a one-of-a-kind voice in soul and blues. It started on Jefferson Street in his teens. Then he moved to New York, opened shows for James Brown, played the Apollo Theater and held down Harlem residencies. He lived overseas in the post disco era. And he's recorded all the way through, including some...