Description
In this episode, we chat to María Carriedo, CG Lead at Freefolk and former colleague of Daniel's at The Mill.
Born in Mexico, María studied VFX at the prestigious Gnomon School in LA before working at Psyops on commercials. Since then she moved to London to work at The Mill before her current role. In this interview we learn about María's journey into VFX and her approach to continuous learning and development.
As a lead María is involved in the hiring process so her showreel advice will be invaluable to any 3D Artists seeking new projects. While trained in Maya, María mostly works with Houdini so we discuss the merits of the 2 giants in the 3D industry as well as touching on Zbrush, Unreal and the new Solaris/Karma renderer in Houdini.
There's a lot packed into this interview so you will want to check it out!
Einstein image credit: Smart Energy/The Mill, "Join the Revolution"
00:00:14 : Current role
00:00:32 : Education and beginning of career
00:14:34 : Showreel advice from the point of view of a hirer
00:19:15 : What seniors can learn from new entrants
00:20:33 : What qualities make a better 3D artist
00:26:17 : R&D Stages of a project
00:29:25 : Reference from everyday life
00:33:54 : Solaris and Unreal
Each episode is visually engaging. To not miss out, you can watch all our episodes on our YouTube channel.
Subscribe & Watch all episodes on our YouTube Channel Visit our website Thank you for your support! We appreciate you!
In this conversation, Kofi interviews Richard Clark, the head of visualisation and VFX supervisor at Cinesite, to discuss the role of visualisation in the industry. We explore the origins and evolution of visualisation, the use of real-time tools like Unreal Engine, and the impact of virtual...
Published 06/20/24
In this episode, I chat to VFX Comp Supervisor Ruth Meridjen about the state of the VFX industry in 2024 and the impact of the pandemic on production.
The slow ramp-up of production and the greenlighting of projects are discussed. The future of the industry and the role of AI in filmmaking are...
Published 03/18/24