Description
Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art.
Today's edition features a work by a Latvian-American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Award winning novelist Madeleine Thien has chosen "Bikini" Celmins' depiction of an atomic blast which took place in Bikini Lagoon on 25 July 1946, part of the United States’ Operation Crossroads – one of a series of twenty-three nuclear detonations in the western Pacific. What has drawn the novelist's eye to this work - and how does she see it?
Producer: Paul Kobrak
Main Image:
Vija Celmins, Bikini, 1968. Graphite on acrylic ground on paper, 13 3/8 x 18 1/4" (34 x 46.4 cm). Gift of Edward R. Broida. Museum of Modern Art, NY, 673.2005. © 2019 Vija Celmins
Over the last 29 editions art critic Alastair Sooke, in the company of some of the leading creatives of our age, has dived into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art.
In this final edition, Alastair makes his own...
Published 12/20/19
Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art.
Today's edition features playwright, librettist and screenwriter,...
Published 12/19/19