Before Bruises Become Wounds
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Description
George Meyer, a co-writer on The Simpsons, referred to marriage as “a stagnant cauldron of fermented resentments, scared and judgmental conformity, exaggerated concern for the children . . . and the secret dredging-up of erotic images from past lovers in a desperate and heartbreaking attempt to make spousal sex even possible.”   There's bitterness and cynicism there. That's a relationship at its very nadir, where there seems to be little hope for redemption. But, of course, that's not how things always work. Most relationships work in the twilight zone. Part incandescent, part dark. Not so much hate or love, as simmer and freeze. And as is true with most extremities, there's a sense of humanity lost, of balance skewed, confronting more of what's lost then loss itself. But we are humans: the more we hurt someone, the more we require healing; when falling out is often synonymous with falling down; and more we push people away, more we need them beside us.   The tragedy of people who injure others is not that they use their ability to draw blood, it is how much they would like to be the one who would rather bleed. Their natural disdain is for themselves - their lowest opinion is reserved for their own weaknesses. They are fragile waiting to be broken, to be destroyed, to find meaning in their extinction and maybe their exhumation.   Those who create tragedy are themselves tragediennes.   So much of the grace of good gurus is nothing but to teach not to judge and merely embrace what seems to be imploding in front of one's eyes.   Souls are redeemed by the mere act of acknowledgement. The words "I understand" have saved innumerable lives.   If you liked this poem, consider listening to these other poems on the desolation in relationships -  Of Love (& other bouts of sadness) Miles Apart Finding Ways to Survive (Each Other) Follow me on Instagram at @sunilgivesup. Get in touch with me on [email protected]   The details of the music used in this episode are as follows - Rising Sun by Sascha Ende
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