Description
Today on Art of the cut, we speak with Emmy-nominated editor Michael Harte, ACE, about editing the Netflix docu-series, “Beckham.” He was also nominated for an ACE Eddie and a BAFTA for the series.
Harte won an Emmy, an ACE Eddie a BAFTA for his editing of the documentary “Still: A Michael J. Fox Movie.” He was also nominated for an Emmy and an ACE Eddie for his editing of the documentary “Three Identical Strangers.”
We’re going to be discussing the need to know where and how the documentary starts, the importance of archival that speaks in conversation with the interviews, and respecting the all-important power of the truth.
If you'd like to read along with the interview, check out the blog of the podcast, which includes trailers and exclusive images and more.
borisfx.com/blog/aotc
Today, we’re talking with Myron Kerstein, ACE about teaming up again with director Jon Chu to edit the cinematic adaptation of the Broadway hit, Wicked.
Before that they collaborated on In the Heights. And before THAT on Crazy Rich Asians - not to mention Kerstein's work with Lin-Manuel Mirandad...
Published 11/21/24
Today on Art of the Cut, we’re talking with Dreamworks veteran editor, Mary Blee about the film, “The Wild Robot.”
Mary’s editing career began as an assistant editor on the 1991 animated film “Beauty and the Beast.” She’s worked in sound editing and VFX editing. Did additional editing on “Kung...
Published 11/13/24