Today, we’re talking with Myron Kerstein, ACE about teaming up again with director Jon Chu to edit the cinematic adaptation of the Broadway hit, Wicked. Before that they collaborated on In the Heights. And before THAT on Crazy Rich Asians - not to mention Kerstein's work with Lin-Manuel Mirandad on tick, tick...BOOM! and we’ve talked about ALL of those films here on Art of the Cut. Kerstein’s previous work as an editor includes the feature films Going in Style, Garden State and Glee: The 3D...

Today on Art of the Cut, we’re talking with Dreamworks veteran editor, Mary Blee about the film, “The Wild Robot.” Mary’s editing career began as an assistant editor on the 1991 animated film “Beauty and the Beast.” She’s worked in sound editing and VFX editing. Did additional editing on “Kung Fu Panda” and was an associate editor on “How to Train Your Dragon” and “The Croods.” She was Second Editor on “The Boss Baby” and also worked on subsequent “How To Train Your Dragon,” “Croods” and...

Today on Art of the Cut, we’re talking with the editors of Netflix’s documentary “Greatest Night in Pop.” They also were part of the editing team of “Mountain Queen: The Summirs of Lhakpa Sherpa.” Carlos Haynes has  worked on Neymar: the Perfect Chaos, Amend: the Fight for America, and Kevin Hart - Don't f**k this up. David Brodie was an editor on  The volunteer, Struggle: The Life and Lost Art of Szukalski and Selena Gomez: my Mind and Me. Will Znidaric was an editor on  projects like...

Today on Art of the Cut, Úna Ní Dhonghaíle, ACE discusses editing Disney’s Young Woman and the Sea. Una was first nominated for an editing BAFTA 15 years ago. And again in 2013 and THREE TIMES in 2015. She won a BAFTA for Three Girls and was nominated for another BAFTA and an ACE Eddie for editing Kenneth Branagh’s Belfast which we discussed right here on Art of the Cut. She was also on Art of the Cut previously for her work on The Crown and for Death on the Nile. Today we’re going to be...

Today on Art of the Cut, editors Michael Anthony Brown and Michael Oliver about their Emmy winning work on Welcome to Wrexham. Brown also won an Emmy for his work on Wrexham last year. Other work includes the TV series, Mr. McMahon, Action, and Losers. Oliver won a Sports Emmy 2011 for HBO’s 24/7 Penguins/Capitols. He’s also edited projects like Being Liverpool, We Are LAFC and Messi’s World Cup: The Rise of a Legend. Today we’re talking with the Emmy-winning editors of this series about...

Today on Art of the Cut, editors Nathan Orloff and Shane Reid discuss editing Jason Reitman’s Saturday Night - a film recounting the chaos just before going LIVE with the first episode of Saturday Night Live. Nathan Orloff has been on Art of the Cut before, most recently for his work on Deadpool/Wolverine. He also joined us for his previous collaborations with Reitman on  Ghostbusters: Frozen Empire and Ghostbusters: Afterlife He was also on for editing John Wick 4. Shane Reid was also on...

Today on Art of the Cut, editor Jeff Groth, ACE, discusses editing Joker: Folie a Deux. For those of you who didn’t take French - that’s “Madness between two.” Jeff’s been on the show before to talk about the last Joker movie, and also The Grey Man. Groth was nominated for an ACE Eddie for his work on the TV series Entourage. He was nominated for an Oscar, a BAFTA and an ACE Eddie for his work on Joker.

Today on Art of the Cut, editor Cam McLaughlin discusses working with legendary filmmaker, Francis Ford Coppola, on his film Megalopolis. Cam's previously talked with Art of the Cut about working on Guillermo del Toro's Nightmare Alley. Cam was also an associate editor and music editor on del Toro's Shape of Water. His TV work includes The Girlfriend Experience and Guillermo del Toro's Cabinet of Curiosities.  Discover the collaboration process of legendary filmmaker, Francis Ford Coppola...

Today on Art of the Cut, we discuss editing the Apple Plus feature film The Instigators with three editors, including Oscar-winning editor William Goldenberg, ACE, Oscar-nominee Tatiana Riegel, ACE, and Oscar-nominee Saar Klein. Billy’s been on Art of the Cut six times before for his work on Live By Night, Detroit, 22 July, The Outfit, News of the World, and Air. Billy won an Oscar, a BAFTA, and an ACE Eddie for Argo, and was nominated for an Oscar, a BAFTA and an Eddie for The Imitation...

Today on Art of the Cut we are talking about cutting horror and suspense with Greg Ng and Graham Fortin who edited this summer’s Longlegs which is now available on VOD after its theatrical run. Greg has been nominated and won numerous Canadian Cinema Editor and Leo Awards for TV and documentaries. His credits include the feature films Afflicted and Come and Find Me. He’s also edited for the great ESPN doc series, 30 for 30. Graham’s credits include the documentaries Ari’s Theme, The...

Today on Art of the Cut we are talking about Tim Burton’s Beetlejuice Beetlejuice with editor Jay Prychidny, CCE.  This is Jay’s fourth time on Art of the Cut. He previously joined us to talk about Snowpiercer, Wednesday, Scream VI, and now, Beetlejuice Beetlejuice. Jay’s won a BAFTA and been nominated for and won numerous Canadian Cinema Editor’s Awards for his work on Orphan Black, The Alienist, The Amazing Race Canada, and many others. Today we’re going to be discussing re-structuring a...

Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People. Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness. Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A. We’re going to be discussing how balancing tone in...

Today on Art of the Cut we speak with Oscar nominee Jake Roberts, ACE, about editing Alien Romulus. Jake has been on Art of the Cut previously for the films Brooklyn, Hell or High Water, and The Hitman's Bodyguard. He was also on for the TV series, Devs. His work on Hell or High Water was nominated for an Independent Spirit Award, an ACE Eddie and an Oscar. We’re going to be discussing director Fede Alvarez’s cinematic hack behind the jump scare, how pacing builds tension, and how they...

Today on Art of the cut, we speak with Emmy-nominated editor Michael Harte, ACE, about editing the Netflix docu-series, “Beckham.” He was also nominated for an ACE Eddie and a BAFTA for the series. Harte won an Emmy, an ACE Eddie a BAFTA for his editing of the documentary “Still: A Michael J. Fox Movie.”  He was also nominated for an Emmy and an ACE Eddie for his editing of the documentary “Three Identical Strangers.” We’re going to be discussing the need to know where and how the...

Today, we’re talking with Zsófia Tálas, who was recently nominated for an Emmy for her episode of the drama, Slow Horses - available on Apple TV Plus. Zsófia’s other work includes the BBC TV series A Good Girl’s Guide to Murder, SkyTV’s The Midwich Cuckoos, and Hulu’s Brassic. She’s also cut feature films including Bad Poems, The Cabin, and Unwelcome. Check out the Art of the Cut blog where there are trailers, stills and exclusive images - including a timeline of the...

Today, we’re talking with Dean Zimmerman, ACE and Shane Reid about editing Deadpool and Wolverine. Dean’s been on Art of the Cut before to discuss the projects: Free Guy, All the Light We Cannot See and Stranger Things, for which he won an Emmy, was nominated for two others, and an ACE Eddie. His other work includes The Darkest Minds, Jumper and Night at the Museum: Battle of the Smithsonian. Dean’s been working on the next season of Stranger Things. Shane Reid was previously on Art of the...

Today, we’re talking with Terilyn A. Shropshire, ACE about editing one of this summer’s big blockbusters, “Twisters.” The last time I spoke with Terilyn, she had just edited “The Woman King,” for which she was nominated for an ACE Eddie. We also spoke when she edited “The Old Guard.” Terilyn has been nominated for a Primetime Emmy Award, was nominated for an ACE Eddie for her work on “When They See Us”  and she won an ACE Eddie for “Redemption: The Stan Tookie Williams Story.” Terilyn’s...

Today on Art of the Cut, we feature one of the recent editing nominees for this year’s Emmys: Russell Griffin, ACE. He’s been nominated for three primetime Emmys and a Kids and Family Emmy. And won an ACE Eddie last year for the How I Met Your Father episode, “Daddy.” This year he’s Emmy nominated for the How I Met Your Father episode “OK, Fine, it’s a Hurricane” in the category, Outstanding Picture Editing For A Multi-Camera Comedy Series. Previous work includes The Upshaws, for which he...

Today on Art of the Cut, we discuss Michael B. Jordan’s directorial debut, Creed III, with the editors of the film, Jessica Baclesse and Tyler Nelson, ACE. Jessica is currently editing the film Rez Ball. She was an assistant editor on Captain Marvel, has edited numerous short films, and the TV series, Breakwater, Play By Play and In the Vault. Her commercial editing work has been nominated for numerous awards. Tyler  has been on Art of the Cut several times, including for his work as an...

Today on Art of the Cut we speak with Emmy and ACE Eddie winner, Paul Crowder, ACE and Sierra Neal about Ron Howard’s documentary, “Jim Henson: Idea Man” which can be seen on Disney Plus. Paul and Sierra have both been on Art of the Cut previously for their other documentaries with Ron Howard, “Pavarotti” and “The Beatles: Eight Days a Week.”  Paul started his rise to editing fame with the documentary Dogtown and Z-Boys which won the Audience Award and directing award at Sundance in 2001...

Today on Art of the Cut we speak with Job ter Berg, ACE about the film The Watchers. Job has been on Art of the Cut before - most recently to discuss Gareth Edwards’ sci-fi film, The Creator and before that for Paul Verhoeven’s film, Elle. His other work includes Benedetta, The Informer, and Brimstone. Also, check out the BLOG with exclusive images, and video content, including trailers and clips. You can read along at: borisfx.com/blog/aotc

Today on Art of the Cut we speak with Oscar nominee, Sandra Adair, ACE, about the Richard Linklater film, “Hit Man.” Sandra was last on Art of the Cut for her film “Where’d you Go, Bernadette.” She was nominated for an ACE Eddie for her work on “School of Rock.” And she was nominated for an Oscar and won an ACE Eddie for her work on “Boyhood.”  Her other work includes “Dazed and Confused,” “A Scanner Darkly,” and “Bernie.” There are a ton of great exclusive photos - including the chart she...

Today on Art of the Cut we speak with the editing team of the Apple TV Plus show, The Morning Show. We’re speaking with Carole Kravetz Aykanian, Plummy Tucker, ACE, and Henk Van Eeghen, ACE. Carole’s work includes features like The Little Prince, Out of Time, High Crimes, and Devil in a Blue Dress. Also TV series including Dirty John, Ballers, and The Affair.  Plummy was last on Art of the Cut to discuss editing the feature film Destroyer. Other features include The invitation and Aeon...

Today on Art of the Cut we speak with the editing team of the Star Wars TV series, Ahsoka: (alphabetically, they are) Dana E. Glauberman, ACE, Rosanne Tan, ACE, and James D. Wilcox, ACE.  Dana was nominated for an ACE Eddie Award for her work on Ahsoka, Part Four: Fallen Jedi. She also has received Eddie nominations for multiple feature films, as well as for The Mandalorian, for which she was also nominated for a Primetime Emmy Award. Dana’s been on Art of the Cut for Ghostbuster’s...