Description
This is the first episode of a series covering the complete filmography of Terrence Malick, who is arguably both the most important Christian filmmaker working today and the most important filmmaker working today, period.
What sets Malick apart from a number of other directors whose work deals with a religious search, is that his films are not just about searching indefinitely with no answer, but they come from the perspective of a sincere believer who actually has a positive proposal about life's meaning.
Some of his best-known movies in which this positive proposal is evident are A Hidden Life, The Tree of Life, and The Thin Red Line. But we are starting from the beginning, with Malick's first two films, Badlands (1973) and Days of Heaven (1978).
In these two films we already see Malick's personality on display: his gorgeous visual style with a heavy focus on the beauty of the natural world, his use of voiceover narration and classical music, his improvisational approach, and the impressionistic rather than plot-driven nature of much of his work.
His philosophical interests (Malick spent time as a philosophy professor and even translated a work by Heidegger) are also evident in both films but the second feature, Days of Heaven, is the first to introduce the extensive Scriptural references featured in all of his films since.
James and Thomas are joined by Catholic filmmaker and critic Nathan Douglas for this series.
0:00 Introduction to Terrence Malick
32:10 Badlands
1:08:54 Days of Heaven
Nathan Douglas's website https://nwdouglas.com/about
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Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com
The Tree of Life may well be the greatest movie ever made. Heavily inspired by the book of Job and St. Augustine's Confessions (and even including some lines about nature and grace seemingly derived from The Imitation of Christ), director Terrence Malick gives profound spiritual and cosmic scope...
Published 11/15/24
The Sound of Music is rightly beloved by Catholics. James and Thomas discuss the movie's all-around excellence, break down Julie Andrews's virtuosic performance, and explore what the film says about the freedom and openness necessary to discern and pursue one's vocation in life.
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Published 10/21/24