A critical text by Giuseppe Di Salvatore on Christian Petzold's «Undine», read by Nils Jensen and edited by Annatina Stalder. […] The philological crux of dealing with mobile origins therefore reveals nothing but the fundamental delay that constitutes the “original” substance, matter and starting point of Petzold’s films.

A critical text by Jodie McNeilly-Renaudie on Agustina Comedi's film «El silencio es un cuerpo que cae», read by Nils Jensen and edited by Annatina Stalder. […] Killing off a part of your parent is felt in every lingering scene of Comedi as a child ensconced in a bubble of love, cutely demanding the direction of his lens.