A critical text by Jodie McNeilly-Renaudie on Alejandra Márquez Abella's film «Las niñas bien», read by Amy Lombardi and edited by Jorge Cadena. [...] There are many semiotically rich gestures in décor, costume, behaviour and dialogue like these from Abella that permit us to paradoxically see the depth of shallowness in this character that we simultaneously admire and loathe.