This is the story of what happens when Evan Ratliff, co-host of Longform and a longtime tech journalist, makes a digital copy of himself, powered by AI, in order to understand how amazing and scary and utterly ridiculous the world is about to get. In Episode 1, Evan clones his voice, hooks it up to ChatGPT and his phone line, and sends it off to tangle with customer service representatives. New episodes drop on Tuesdays. Visit shellgame.co to find out more, subscribe, and support the...

What would happen if you created a digital copy of yourself, powered by AI, and set it loose in the world? Over the past six months, Evan Ratliff has been trying to find out. He combined a clone of his voice, an AI chatbot, and a phone line—many phone lines, actually—into what are called “voice agents.” Then he sent them out… as himself. They talked to sources and colleagues (including his fellow Longform co-hosts), friends and family, scammers and spammers, other AI voice agents, and even...

John Jeremiah Sullivan is a contributing writer at the New York Times Magazine and has written for Harper's, The New Yorker, and GQ. He is the author of Pulphead and the forthcoming The Prime Minister of Paradise: The True Story of a Lost American History. “I love making pieces of writing and trying to find the right language to say what I mean. It's such a wonderful way of being alive in the world. I mean, your material is all around you. ... I'm lucky that it has stayed interesting for me....

The hosts answer a few listener questions. Evan’s picks for some podcasts to try: Creative Nonfiction Press Box The Stacks Podcast: Sunday Long Read True Stories Question Everything Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ta-Nehisi Coates is an author and journalist. His next book is The Message. “I don’t think we have the luxury as journalists of avoiding things because people might say bad things about us. I don’t even think we have the luxury of avoiding things because we might get fired. I don’t think we have the luxury of avoiding them because somebody might cancel some sort of public speech that we have. I then have to ask you, what are you in it for? Like, why did you come here? Did you come here just...

Jay Caspian Kang is a staff writer for The New Yorker and a co-host of Time to Say Goodbye. “At some point, you have to kick it out the door, and it’s never finished to the degree that you would finish a magazine piece. But it, in some ways, is more interesting because it is produced in a short amount of time, and it’s read as something that is not supposed to be complete. It’s just meant to provoke or to provide thought or whatever, to provide some sort of context on a certain issue or not....

Joseph Cox is a cybersecurity journalist and co-founder of 404 Media. His new book is Dark Wire: The Incredible True Story of the Largest Sting Operation Ever. “In the not too distant future, I will be a very old man, and maybe I won't be able to spend all day talking to drug traffickers. I will be mentally and physically exhausted. So I will doggedly pursue the story right now while I can.” Show notes: @josephfcox Cox's 404 Media archive Cox's Vice archive Dark Wire: The Incredible True...

Tavi Gevinson is a writer, actor, and the founder of Rookie. Her new zine is Fan Fiction. “Stories are unstable, and memory is unstable, and identity is unstable. All of these things that I've tried to make permanent in writing, they're actually unstable. So even though it's tempting to go, Oh, that was fake, it's more like, No, it was just temporary.” Show notes: @tavitulle tavigevinson.world Gevinson on Longform Gevinson on Longform Podcast Gevinson’s Rookie archive 10:00 Operation...

Rachel Khong is a journalist and author whose latest novel is Real Americans. “It's about the ways in which we miss each other as human beings and can't fully communicate what it is like to be ourselves. … And I think that's what makes it so interesting to me, to work on a novel and to spend so much time trying to get down on the page what it feels like to be a human being who's alive. … I think the effort itself is what human relationships are.” Show notes: rachelkhong.com 01:00 Real...

Kelsey McKinney is a features writer and co-owner at Defector.com. She hosts the podcast Normal Gossip and is the author of the upcoming book You Didn't Hear This From Me: (Mostly) True Notes on Gossip. “I was always very interested in how you strategize a creative career. And I think that that is an unsexy thing to talk about, right? It's much sexier to be like, Oh, I love working on my sentence-level craft, which is not true for me. But I think that a lot of a creative career is...

Lissa Soep is an audio producer, editor and author whose latest book is Other People’s Words: Friendship, Loss, and the Conversations That Never End. “I am so keenly aware of how much my own voice is a product of editing relationships and co-producing relationships with other people's words. … I will forever feel indebted to those then young people who are now writers and educators and therapists. … I feel like my voice is sort of a product of that time.” Show notes: 00:00 Other People’s...

PJ Vogt is the host of Search Engine. “One of our tests editorially is if we think we’ve got something good, but we haven’t started reporting or recording on it, I’ll just try asking the question at dinner and stuff. If it derails conversations, that’s a really good sign.” Show notes: @PJVogt Vogt’s Substack Vogt on Longform Podcast 03:00 “Why Are There So Many Illegal Weed Stores in New York City? (Part 1)” (Search Engine • Mar 2024) 03:00 “Why Are There So Many Illegal Weed Stores in...

Lindsay Peoples is the editor-in-chief of The Cut. “You see so many incredible people make one mistake and lose their job or they speak out about something and then the next day something blows up. And so I do think that I often feel like I have to be so careful. And that's hard to do because I'm just naturally curious and I want to know and I want to find and explore and do the things. But I'm aware that … people think I'm too young. I'm too Black. I'm aware of all those things and I'm still...

Jason Motlagh, a journalist and filmmaker, is a contributing editor at Rolling Stone and the founder of Blackbeard Films. He won the Polk's Sydney Schanberg Prize for “This Will End in Blood and Ashes,” an account of the collapse of order in Haiti. “Once you've gotten used to this kind of metabolism, it can be hard to walk away from it. Ordinary life can be a little flat sometimes. And so that's always kind of built in. I accept that. I think I've just tried to be more honest about like, [am...

Brian Howey is a freelance journalist who won the Polk Award for Justice Reporting after exposing a deceptive police tactic widely used in California. He began the project, which was eventually published by the Los Angeles Times and Reveal, as a graduate student in the UC Berkeley Graduate School of Journalism. “It’s one thing to hear about this tactic and hear about parents being questioned in this way. It’s another thing entirely to hear the change in a parent’s voice when they realize for...

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county. “Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we’ve made some real improvement. And that’s worth celebrating. That’s worth recognizing and saying, This work matters, people are...

Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates. “You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.” This is the second in a week-long series of conversations with...

Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic.  “One of the best takeaways I got from seven or eight years at Vice is that it’s not enough for something to be important when you’re figuring out how to make a story. It’s the intersection of important and interesting. And that has taught me that people will watch...

Vinson Cunningham is a staff writer for The New Yorker. His novel, published in March 2024, is Great Expectations. “I think the job is just paying a bunch of attention. If you're a person like me, where thoughts and worries are intruding on your consciousness all the time, it is a great relief to have something to just over-describe and over-pay-attention to—and kind of just give all of your latent, usually anxious attention to this one thing. That, to me, is a great joy.” Show...

Megan Kimble is the former executive editor of The Texas Observer and has written for The New York Times, Texas Monthly, and The Guardian. Her new book is City Limits: Infrastructure, Inequality, and the Future of America’s Highways. “I have never lived in a city that was not wrapped in highways. It’s hard for me to imagine anything else. And I think that’s true for a lot of people today. ... [But] we have known since the origins of the interstate highways program that building highways...

Zach Harris is a journalist whose latest article for Rolling Stone is "Meet the Gen Z Hothead Burning Up Pro Bowling." “I'm not like a staff writer who has … status and access. But if I come up with something fun that you've never heard of that might connect to the larger culture, then it kind of hits a nerve and a sweet spot for me. Someone like a pro skateboarder or a pro bowler, you guys have never heard of. And so being able to present a person and a culture and a world to a wider...

Rozina Ali is a contributing writer for The New York Times Magazine and the winner of the 2023 National Magazine Award for Reporting. Her latest article is “Raised in the West Bank, Shot in Vermont.” “I think it’s very, very important to speak to people as people. To speak to sources—even if you have the juiciest story—to really give them the grace. I think everyone deserves it, especially people who are going through such a difficult time.” Show notes: @rozina_ali rozina-ali.com Ali’s New...

Derek Thompson is a staff writer for The Atlantic and host of the podcast Plain English. “I am an inveterate dilettante. I lose interest in subjects all the time. Because what I find interesting about my job is the invitation to solve mysteries. And once you solve one, two, three mysteries in a space, then the meta-mystery of that space begins to dim. And all these other subjects—that's the new unlit space that needs the flashlight. And that's the part of the job that I love the most: that...

Tessa Hulls is a writer and artist whose work has appeared in The Rumpus, The Washington Post, and The Capitol Hill Times. Her new book, a graphic memoir, is Feeding Ghosts. “This project is the thing I have spent my entire life running from. I was incredibly determined to never touch this, either personally or professionally. … It was more an eventual act of resignation than a desire.” Show notes: @tessahulls tessahulls.com 17:00 Persepolis (Marjane Satrapi • Pantheon •...