A Sitcom without the Cringe
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“This showis a wild, over the top sitcom. Things are dialed up to 11, and the characters are larger than life. It has the feel of a 90's sitcom but makes a concious effort to be socially aware and avoid harmful language and tropes as much as possible. It's queer, it's millenial, and it's a ton of fun.
Some other reviews have noted sound balancing issues with characters being relatively quiet and then getting excited and screaming. I never found myself having to adjust the volume, for what it's worth. I also really liked the sound design and ambient noise levels. The characters getting overexcited and yelling about things felt extremely relatable for me because that's generally the energy level my high school drama program operated at any time we weren't actively rehearsing.
The plots and characters are, like any sitcom, especially during a first season, bigger than life. The situations they find themselves in are bold, hilarious, and eminently relatable. The tropes are familiar, but the whole point of a sitcom is that you know the punchline and you're waiting to hear the specifics of just how deep a hole the characters dig themselves, or how far they will go. The whole season plays with the familiarity of relatable situations (finding a new roommate, figuring out how things work in the big city, public transit, etc) by finding a weird angle or an over the top expression of it.
My biggest criticism is that during the first episode it was tough to understand who was who. Cam was easy to identify because of the masculine presenting voice, but I had the show notes open to try to keep track of Gillian, Ally, and Ashley. Listening to the teaser episode helped cement Ally's voice, but it was still a little difficult at first to tell Gillian and Ashley apart. That said, it's a good motivating scene to start with (it's the driving factor behind the first season) but it suffers from being in an audio medium where we don't get the additional visual cues to help differentiate the characters. After the first episode, though, you start to recognize everyone's voices and Gillian and Ashley are there less frequently, so it gets easier pretty quickly.
Every time I've tried to watch an episode of Friends, I've walked away cringing because of something racist, sexist, ableist, etc. This show feels like it captures all the fun, zany atmosphere of 90's sitcoms without all of that. It's not perfect but it's loads better than anything else in the genre I've encountered.
Simply put, it's a fun, inclusive, whacky sitcom that's generally easy to listen to and scratches that itch. Definitely check it out.
P.S. The theme song is ridiculously catchy and will stick in your head forever.”Read full review »
Richard KL via Apple Podcasts ·
United States of America ·
12/23/20
More reviews of NEXT STOP
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“Audio sitcoms are in short supply, and we all could really use something light & funny right now. This show nails it. Thank you Multitude!!”
DoGudSnd via Apple Podcasts ·
United States of America ·
04/24/20
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“As a huge fan of audio drama, I’ve been dying for an audio sitcom and Multitude delivers above and beyond my wildest dreams!! This show is funny and heartfelt and has the catchiest theme song I’ve ever heard. The acting and directing is superb and I can’t wait to hear more!”
ghostboi8 via Apple Podcasts ·
United States of America ·
04/21/20
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“Please make a season 2”
bHD83 via Apple Podcasts ·
New Zealand ·
03/15/22
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