Morgan and Gavia discuss some of their favorite new books from the past calendar year, from Yellowface by R.F. Kuang, to hidden gems like All the Horses of Iceland by Sarah Tolmie (a historical fantasy novella) and The Disenchantment by Celia Bell(a tale of royal court intrigue in 17th century Paris.)

Gavia and Steffan review the latest (and possibly greatest) Mission Impossible movie, covering the franchise's unique place in Hollywood cinema, Tom Cruise's complicated star power, Hayley Atwell's incredible charisma, and how the film draws inspiration from vintage slapstick comedy.

Gavia is joined by guest-host Claire Biddles to discuss Michael Haneke’s 2001 erotic psychodrama The Piano Teacher, starring Isabelle as a Viennese piano teacher who embarks on a toxic sadomasochistic affair with one of her students. We delved into Huppert’s performance and career, the film’s costuming and music choices, the depiction of poorly-negotiated kink, and Haneke’s unique brand of intense drama.

Gavia is joined by guest-host Steffan Alun to discuss Spider-Man: Across the Spider-Verse, an innovative animated feature that puts most live-action superhero films to shame. Among other topics, we covered the film's visual artistry, its self-aware take on the concept of canon, its flawed political storytelling, and its relationship to other Marvel adaptations.

Gavia is joined by guest-host Claire Biddles to discuss Luca Guadagnino’s beautiful romantic horror movie Bones and All (2022), about a pair of young cannibal drifters played by Taylor Russell and Timothee Chalamet. Among other topics, we covered the film's brilliant casting choices, its well-observed depiction of rural 1980s America, and Guadagnino's use of quasi-vampiric cannibalism as an allegory for outsider identity.

This week, Gavia is joined by guest-host Steffan Alun to discuss Steven Spielberg's Jurassic Park, an icon of blockbuster cinema. Among other topics, we covered the film's immaculate casting choices, its masterful special effects, Spielberg's skill for combining horror with heartwarming family drama, and Jurassic Park's place in the history of dinosaur cinema (including its own dubious sequels).

This week, Gavia is joined by guest-host Claire Biddles to discuss Stanley Kubrick’s acclaimed erotic psychodrama Eyes Wide Shut (1999), starring Tom Cruise and Nicole Kidman as Bill and Alice Hartford, a married couple in 1990s New York. After Alice reveals that she fantasized about having an affair, Bill embarks on a night of sexual experimentation. Topics include Tom and Nicole's marriage and divergent acting styles, the film's subversion of erotic thriller expectations, its depiction of...

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This week, we discuss the influential 1966 Senegalese film "Black Girl," written and directed by Ousmane Sembene. The film follows a Senegalese young woman who works as a nanny for a white French family whose life turns into a nightmare when she accompanies them back to France and is forced to work as a maid. Topics include the film's overt postcolonial politics, its thoughtful deployment of production design and costumes, its reception in the west, and more.

This week, we turn our attention to the original movie adaptation of Erich Maria Remarque's classic WWI novel, "All Quiet on the Western Front," directed by Lewis Milestone and starring Lew Ayres in his first major role. We compare Milestone's groundbreaking, early-sound era (1930)film to the remake currently nominated for Best Picture at the Oscars, analyze the films' political intentions, praise Milestone's innovative filmmaking techniques, discuss the original film's complicated...

It's been a a few months since Todd Field's massively acclaimed film "TÁR" was released in America, but between its Oscar nominations — for Field, Cate Blanchett, Best Picture, and more — all the Lydia Tár memes, and the debates its ending continues to inspire, we figured there was no better time to discuss it than the present. Topics include the film's depiction of and engagement with classical music and the MeToo movement, sublime performances by Blanchett and supporting actor Nina Hoss,...

Just as January comes to a close, Team Overinvested brings you our Best Films of 2022. Though we're posting this episode a little later than usual, we're as excited as ever to share our favorite films of last year, and hopefully introduce you all to some titles you haven't heard of or gotten a chance to see yet. This year, our lists range from the big budget — "Top Gun: Maverick" — to the tiny indie — "Saint Omer" — and we've both included a documentary, too. Let us know what you think of...

We return to you after an unplanned break due to illness with a delayed episode on "Häxan," Benjamin Christiansen's groundbreaking 1922 docu-drama about the history of the persecution of witches (or "witches") — which also conveniently allowed him to depict sexually transgressive behavior that meant the film couldn't be shown in the United States for decades. Topics discussed include the film's push and pull between analysis and fetishism, its legacy as a cult object, Christiansen's...

This week, Morgan and Gavia revisit legal thriller "Michael Clayton," the 2007 Best Picture nominee written and directed by Tony Gilroy and starring George Clooney and Oscar-winner Tilda Swinton. They discuss the film's sharp characterization, its insightful commentary on corporate malfeasance, a career-best performance from George Clooney, and how the themes Gilroy explores here connect to his current work on "Andor."

This week, Gavia and Morgan sing the praises of "Andor," the new Star Wars television show masterminded by Tony Gilroy and starring Diego Luna as future rebel martyr Cassian Andor. Topics include the show's stark tonal and stylistic divergence from other Star Wars shows on Disney+, its complex ideas about empire and rebellion, a superlative cast led by Luna, and much more.

Gavia and Morgan return from a covid-induced hiatus with a dispatch from this year's New York and London film festivals. Gavia reports on some buzzy titles including "Decision to Leave" and "Triangle of Sadness," and Morgan gives a rave to her one festival movie of the year, France's Oscar submission "Saint Omer."

This week, Gavia and Morgan have fun trying to figure out what the deal is, exactly, with Guy Ritchie's 2017 "King Arthur: Legend of the Sword," a would-be franchise starter that never got off the ground. Does Charlie Hunnum have what it takes to be a leading man? Has Jude Law ever turned in a bad performance? Why does this movie about Arthurian legend feature bare-knuckle boxing? And much more.

This week, Gavia and Morgan break down Amazon's new "Lord of the Rings" adaptation, the TV show "The Rings of Power," which takes place thousands of years before Tolkien's novels. They analyze the show's relationship to Peter Jackson's films, discuss whether the show's efforts to diversify succeed, break out some deep Tolkien lore, and more.

This week, Gavia and Morgan finally get to talk about Jordan Peele's third film, the UFO spectacular "Nope." The film stars Daniel Kaluuya and Kiki Palmer as siblings who own a horse ranch... and discover there's a strange object lurking above their valley. Topics include Peele's increasingly ambitious career, this film's complex themes, dazzling performances from Palmer and Kaluuya, and more.

This week, Gavia and Morgan revisit a modern classic, "Magic Mike XXL," starring Channing Tatum as the titular Mike, Joe Manganiello and Matt Bomer as his stripper pals, Jada Pinkett Smith as an old flame, and more. Topics discussed include the film's radically chill depiction of masculinity, Tatum's charismatic performance and career, and the forthcoming sequel, in production now.

This week, Gavia and Morgan celebrate the late James Caan by watching "Thief" (1981), Michael Mann's debut film, which features Caan's favorite of his own performances. In the film, he plays a skilled but small-time safecracker who gets involved with organized crime. Topics discussed this episode include Caan's life and career, Mann's influential style, this movie's delightfully realistic depiction of safecracking, and more.

This week, Morgan and Gavia discuss "Persuasion" — no, not the recent Netflix adaptation, but ITV's 2007 version, starring Sally Hawkins as Anne Elliot and Rupert Penry-Jones as her estranged lover Wentworth. Topics include the film's relationship to Jane Austen's novel, its interpretation of Regency-era dress and hair, Sally Hawkins' tremendous performance, and more.

This week, Gavia and Morgan talk about the eighties cult classic "Road House," starring Patrick Swayze as the greatest bouncer in the world, who travels to a small Missouri town to whip a dive bar into shape. Topics discussed include the film's relationship to classic Hollywood westerns, Swayze's magnetic star presence, the film's boundless homoeroticism, and more.

This week, Gavia and Morgan discuss the classic musical "The Court Jester," starring Danny Kaye as a hapless circus performer forced to go undercover as a court jester as part of an elaborate seditious scheme. The film also stars a young Angela Lansbury, Basil Rathbone, and Glynis Johns. Topics include the film's connection to other medieval satires, the influence of vaudeville on Hollywood performance, Danny Kaye's motor-mouth, and much more.

This week, Gavia and Morgan discuss the summer's biggest blockbuster: Tom Cruise's long-anticipated reprisal of his iconic role as Maverick in "Top Gun: Maverick." They break down how the sequel compares to the original, analyze how the practical stunts and effects contribute to the action, and salute the heroics of Cruise, certifiable maniac and Hollywood icon.