Episodes
One take you may have heard after the election: Democrats need their own Joe Rogan.
Taylor Lorenz disagrees. And Lorenz is worth listening to. For years, she has been a really sharp observer of social media and online spaces, and she built a high-profile career explaining the internet for audiences at places like the Atlantic, the New York Times and the Washington Post.
Now Lorenz is on her own, which is where she says she always wanted to end up. We talked about how and why she left the Post...
Published 11/13/24
You want up-to-the minute election analysis? Sorry, not on this episode.
But: If you want smart thoughts about politics and media and tech all merged together? We got you here, courtesy of The Atlantic’s Charlie Warzel, who came on to discuss how we should think about Elon Musk, Donald Trump supporter, being the same person as Elon Musk, guy who owns Twitter. Plus, because it’s Charlie: A useful way to think about what misinformation is, and isn’t.
And! If you don’t want politics in your...
Published 11/06/24
Jon Lovett and his cofounders at Crooked Media are a good story - former Obama aides who started their own media company after the 2016 election, and are now generating 25 million podcast downloads a month. But for a few weeks this summer, after they became prominent voices in the push to replace Joe Biden on the Democratic ticket, their story got even more interesting. I’ve wanted to talk to Lovett about that experience for months, so a week before the election seems like good timing, no?...
Published 10/30/24
Emma Tucker became the Wall Street Journal editor-in-chief in 2023, and she’s been moving fast ever since.
For starters, there are punchier, more provocative stories and headlines. Just as important: She’s been making a series of cuts and staffing changes. That approach has its critics, but it also seems to be working: Subscriptions are up 7% in the last year.
In our chat, we discuss all of that, plus more: What her background as a British journalist means as stakes out the Journal’s niche of...
Published 10/23/24
What if you could watch shows and movies on a screen, for free, in exchange for watching some ads?
In olden times, we called that “TV”. Now the industry term is “advertising-based video on demand,” and it seems to be growing quite quickly. This is good news for Tubi, the AVOD/streamer Fox bought back in the spring of 2020, and for Anjali Sud, who has been running Tubi for the last year. At the moment, Tubi’s programming is helping it beat services with much bigger profiles, and budgets,...
Published 10/16/24
What do Donald Trump and the video game industry have to do with each other?
Nothing! Yet we’re combining them into a single podcast, anyway.
First up: A chat with Gabriel Sherman, the longtime Vanity Fair reporter who wrote and produced “The Apprentice.” That’s the new Trump biopic that isn’t what you think it is, and is very much worth your time — and which almost never got released in the U.S.
As Sherman tells us, this is a movie that’s a sort of Trump creation myth, centering around his...
Published 10/09/24
The last time I talked to Matt Yglesias, we were co-workers at Vox.com, and Joe Biden had just been elected president. Now Yglesias runs Slow Boring, a tremendously successful Substack, and I wanted to check back in. Discussed here: What a policy nerd does in an election that’s awfully light on policy; why hating the media is now a popular pastime across the political spectrum; what it’s like to run a three-person business that’s grossing something like $1.4 million a year.
Learn more about...
Published 10/02/24
Mark Zuckerberg, along with most of the men running big tech companies, has spent many years and tons of money trying to put a computer on your face. Now it looks like he’s getting very close to making it a reality: He’s just debuted Orion, a pair of bulky — but not too bulky — glasses that are also a computer. You can’t buy these things yet - they cost Meta a ton to make — but Meta thinks you’ll buy something like it in the not-too-distance future.
The crucial caveat here is that we don’t...
Published 09/25/24
YouTube turns 20 next year, which makes it positively ancient by internet standards. Yet the world’s biggest video site is still incredibly relevant for huge swaths of the globe, even if it doesn’t get the media attention other sites generate. It’s also the only major social platform that routinely shares revenue with the users who create the stuff that powers the site. I think that if Google executives took a truth serum they’d tell me they’re jealous of places like TikTok and Instagram,...
Published 09/18/24
When David Remnick got to the New Yorker in 1998, it was very much a capital M Magazine — it existed on ink and paper, and that was about it. Now it’s still a Magazine, but it’s also everything else you need to be to survive as a media company in 2024 — a robust online publisher, a podcast machine, a video operation, conference host and more. Along the way, it also pivoted from an ad-based business model to one that thrives on consumer subscriptions. And it remains one of my favorite...
Published 09/11/24
What happens when you mash up media, tech and business? You get a million things to talk about, and that’s what we’ll be doing on this show: Talking to people who run big tech and media companies, the people who are doing some of the most interesting work in those worlds, and people who can help us understand all of it.
And by “we” I mean “me” - I’m Peter Kafka, and I’m a journalist who has been covering the collision of tech and media for a long time, at places like Forbes, Recode, Vox and...
Published 09/10/24
Peter Kafka, soon to be formerly of Vox, reviews the year in media with Bloomberg’s Lucas Shaw. What did we learn from the strikes? Is the bundle back? Are movies back? What’s going on with whatever the NBA is doing right now? And what’s up with Bob Iger saying he didn’t say something he definitely said on live TV?
This is the last episode of “Recode Media” in its current form, but stay subscribed to this feed! Peter and this show will be back with a new name and a new corporate daddy in...
Published 12/07/23
After a wild series of events, Sam Altman is back as CEO of OpenAI… with more power than ever before. The Verge’s Alex Heath worked sleepless nights covering every twist and turn of this saga. He updates Vox’s Peter Kafka about where we are now, what all of this means moving forward, and how tech journalism can drive someone to mistake alcohol for water.
Then, we continue with artificial intelligence talk as News/Media Alliance President and CEO Danielle Coffey pops in to discuss the...
Published 11/29/23
The board of OpenAI, the company behind ChatGPT, ousted CEO Sam Altman on Friday. Since then, the board has appointed not one, but two, interim CEOs. And Altman and his OpenAI co-founder Greg Brockman got snatched up by Microsoft. The New York Times’ Kevin Roose (@kevinroose) joins Vox’s Peter Kafka to talk about what we know and what we don’t about this whole situation.
Host: Peter Kafka (@pkafka), Senior Editor at Recode
More to explore: Subscribe for free to Recode Media, Peter Kafka, one...
Published 11/20/23
SiriusXM makes money by beaming music and talk radio - especially Howard Stern - to your car using satellites and selling monthly subscriptions. That turns out to be a surprisingly resilient business: The company has 34 million subscribers and $9 billion in annual revenue. But CEO Jennifer Witz knows she has to adapt to the streaming world, so she’s refreshing the company’s brand and app, with the hopes that you’ll keep listening when you’re not driving. Vox’s Peter Kafka talks to Witz about...
Published 11/16/23
It’s a double shot of media business takes, with conversations about the Walt Disney Corporation and Fox News, with references to “Succession” in both.
First, CNBC’s Alex Sherman (@sherman4949) joins Vox’s Peter Kafka to talk about Disney’s strategy, or lack thereof. What does it want to do with ESPN? ABC? Marvel? Star Wars? And although it plans to buy the remaining third of Hulu… what the hell does it want to do with Hulu? Plus, he gives us some hot goss about the Bobs (Iger and Chapek),...
Published 11/09/23
This week, an episode of the latest season of Land of the Giants: The Twitter Fantasy, hosted by our own Peter Kafka. If you like what you hear, be sure to subscribe!
Twitter began life as an accident. In the beginning, even its founders weren’t sure what it was: the internet’s town square, a real-time information source, or the next Facebook, maybe? Twitter's power has always been misunderstood -- by its leaders, by its users, and lately, by the world's richest person.
Host: Peter...
Published 11/02/23
When Sam Reich bought CollegeHumor from Barry Diller’s IAC for pennies in January 2020, the comedy site was long past its heyday. A few months later, the pandemic hit. It wouldn’t have been a surprise if CollegeHumor had vanished entirely. Instead, Reich pushed the company to lean into Dropout, the subscription streaming part of the business, and create more improvised comedy content that lent itself well to viral clips on TikTok and YouTube. Today, Dropout has a dedicated fanbase of hundreds...
Published 10/26/23
The New York Times issued a rare editors’ note Monday: a mea culpa for a headline repeating unverified claims from Hamas that a Gaza hospital explosion was caused by an Israeli airstrike. Vanity Fair media reporter Charlotte Klein (@charlottetklein) obtained internal Slack messages from the Times’ editors which reveal an internal debate about the framing of the original headline. Vox’s Peter Kafka talks to Klein about her scoop.
Host: Peter Kafka (@pkafka), Senior Editor at Recode
More to...
Published 10/25/23
The war in Israel and Gaza is hugely complicated - dangerous, horrifying, and moving fast. Which means it’s a huge job for those who have to cover it. The Washington Post’s international editor, Douglas Jehl (@jehld), joins Vox’s Peter Kafka to discuss how a major news operation covers the conflict between Israel and Hamas. How do you weigh the need to keep on top of the story with the need to fact-check everything in the fog of war? How do editors and reporters balance the risks of entering...
Published 10/18/23
The Marvel Cinematic Universe is an interconnected series of movies and TV shows that produced four of the top-grossing movies of all time and changed the way Hollywood works. It also may have a hard time sustaining the cultural and business dominance it has enjoyed for the last decade-plus. Here to discuss the superhero’s journey is writer and podcaster Joanna Robinson (@jowrotethis), co-author of MCU: The Reign of Marvel Studios. She gives Vox’s Peter Kafka the 101 on the history of Marvel...
Published 10/12/23
Taylor Lorenz (@TaylorLorenz) is the person who told you what “cheugy” means, what a “content house” is, and basically anything else you want to know about young people, the social media they use, and the people who make that media. Now the Washington Post journalist has a book out explaining all of this: “Extremely Online”, which is a history of social media told from the POV of the influencers/creators who made social media work. She talks to Vox’s Peter Kafka about the often contentious...
Published 10/05/23
When Robert Kyncl (@rkyncl) worked at YouTube, he made deals with companies like Warner Music Group. Now, he’s the CEO of Warner Music Group. Vox’s Peter Kafka interviewed Kyncl live on stage at the Code conference. Kyncl explains how Warner Music Group approaches AI both as a tool and as an intellectual property concern, and why he wants Spotify to charge more. And even though the blockchain and NFT craze has passed — Kyncl is still optimistic about its business potential.
Host: Peter...
Published 10/02/23
DescriptioThe Hollywood writers’ strike is over and there’s hope the actors guild and studios will also settle their differences soon. So people like HBO and HBO Max Content boss Casey Bloys (@caseybloys) may be able to start making shows again shortly. But how will new deals affect what he makes… and what he doesn’t make? Bloys talks to Peter Kafka about that and much more: TV’s attempt to re-bundle the bundle, why “Max” makes sense as a brand (and as a container for HBO), why HBO shows on...
Published 09/28/23