Only three songs were nominated by the Academy's music branch from 2005, perhaps signaling that the quality of songs was going downward sharply. But, maybe this marked just a blip in the movie music industry. Take a listen to the nominated songs and why the Academy only picked three in 2005.

Andrew Lloyd Webber finally got the movie version of The Phantom of the Opera into movie theaters, and got an Oscar nomination for putting an original song into the film. The other nominees for the 2004 Original Song Oscar included two songs not performed in English, the first time that had happened. But, more memorable about the year was who performed the majority of the songs at the Oscar ceremony. Learn all about it on this episode!

The Oscar nominees for 2003 featured a toe-tapping song from a groundbreaking animated movie, a sincere love song from a very funny mockumentary, and a song that closed out one of the most popular trilogies of all time. Two songs from the Civil War drama Cold Mountain were also in the mix, written by Sting and Elvis Costello. A year removed from the Oscar-winning "Lose Yourself," none of these songs were commercial hits, but they still made a big impact for their movies.

Eminem made history with his hit song "Lose Yourself," writing the first rap song to be nominated for the Oscar. The controversial rapper wasn't the first choice for producer Brian Grazer's film about a wannabe rapper, but Grazer couldn't take his eyes off the superstar, and 8 Mile gave Eminem the opportunity to act and give us one of his signature songs. His competition for the Oscar was stiff, with compositions by Paul Simon and U2 in the mix. With the Miramax machine behind them, U2 looked...

Randy Newman was still winless in the Original Song Oscar category after seven losses, and his song "If I Didn't Have You" for the Pixar movie Monsters, Inc. was going to put him in rare company if it didn't nab him the Oscar. The song didn't get much recognition before the Academy Awards, so Newman was looking like song nomination number eight was not going to turn into a win. Check out his competition on this episode, as well as the two songs with "dream" in the title that missed out on an...

Randy Newman was looking for his first Oscar win with his seventh songwriting nomination, this time for the comedic song "A Fool In Love." He had some competition from three great singer-songwriters, as Bob Dylan, Bjork, and Sting earned their first nominations for writing movie music. Find out which music superstar took home the 2000 Original Song Oscar on this episode, and learn more about the process of bringing these songs to the screen.

The five Oscar-nominated songs from 1999 were all worthy of winning the big award, including the latest song from a Disney animated movie, one from Pixar's sequel to Toy Story, a raunchy song about parental anger, and a song by *NSYNC praising a teacher's love. Host Jeff Commings talks about the songwriters responsible for these songs, and why Madonna missed out on yet another chance to get an Oscar nomination.

The year after the juggernaut Oscar-winning song "My Heart Will Go On," songwriters had a high standard to reach for the songs featured in films released in 1998. From Stephen Schwartz and Randy Newman to Diane Warren and Carole Bayer Sager, the nominated tunesmiths offered the Academy five nominees that gave us no frontrunner status for the big award.

The juggernaut song "My Heart Will Go On" was crowned an Oscar winner the second that Titanic made its theatrical debut, but the other four songs nominated with it for the 1997 Original Song Oscar were no duds. Host Jeff Commings brings you the stories behind these songs, and the songwriters who created them.

Host Jeff Commings talks with songwriters Jud Friedman and Allan Rich about almost not having their song "For the First Time" appear in the movie One Fine Day (thanks to Rod Stewart), and learns from Tim Rice the process behind putting a new song into the iconic Evita score and getting an Oscar nomination for it. Space Jam featured many songs that made for a popular soundtrack, including the R. Kelly tune "I Believe I Can Fly," which was a big hit in 1996 when all the world knew about R....

The members of the music branch of the Academy of Motion Picture Arts and Sciences split the original score category in two in 1995, but the rules for original song stayed the same. Pop songs and traditional movie songs were still in the running for the biggest movie award, including a chance for Alan Menken to earn a record-tying fourth Original Song Oscar. His competition included Oscar winners John Williams, Alan and Marilyn Bergman, and Bruce Springsteen, all of whom wrote some compelling...

Tim Rice returns to the show to offer a masterclass in songwriting as he talks about writing the lyrics for the three Oscar-nominated songs from the animated movie The Lion King. He details how the song "Can You Feel the Love Tonight" changed and why writing a song for a warthog shouldn't feel much different from writing for "the wife of an Argentinian dictator."

The pop music world invaded the Academy Awards honoring films from 1993, with Janet Jackson, Bruce Springsteen, Neil Young, and James Ingram among the nominees for the Best Original Song Oscar. Host Jeff Commings has many stories to share about the creation of the five Oscar-nominated songs, and why Danny Elfman couldn't join the roster for his songs from The Nightmare Before Christmas.

Host Jeff Commings invited not one, not two, but THREE Oscar-nominated songwriters to this episode to share their behind-the-scenes tales of creating two of the five Oscar nominees for original song of 1992. Jud Friedman and Allan Rich talk about writing "Run to You" for Whitney Houston and creating a guerilla campaign for an Oscar nomination. Tim Rice discusses his detour into writing songs for Aladdin and how Alan Menken's melody for "A Whole New World" helped shape the lyrics.

History was made with the Original Song Oscar nominees from 1991, as three songs from one movie made the list. Those songs came from the Disney animated film Beauty and the Beast, which was a landmark film in more ways than its song nominations. Host Jeff Commings guides you through this major year for movie songs, highlighting a worldwide hit by Bryan Adams and one of the two songs to survive a major retooling of Steven Spielberg's movie about a grown-up Peter Pan.

Broadway legend Stephen Sondheim earned his first Oscar nomination for writing a song for the action film Dick Tracy, pitting himself for the industry's highest award against a number-one song by Jon Bon Jovi, and a rare song composition by John Williams. Host Jeff Commings also details the hit songs that missed out on a nomination, including others that Sondheim wrote for Dick Tracy, and an Alan Menken song performed by Elton John for Rocky V.

Dean Pitchford returns to the show to talk about achieving his fourth Oscar nomination, this time for the love ballad "After All." He discusses writing a more "mature" song than he had written for previous films, why Cher and Peter Cetera didn't record their vocals at the same time, and why he felt his song had little chance to win the Original Song Oscar. After listening to all five nominated songs on this episode, you can decide for yourself which song deserved to win the Academy Award for...

Only three songs were nominated for the Academy Award in 1988, the first time the list of nominees was that low since the 1930s. An Academy rule forced the list to be cut to three in that year, and the ones that made the final list gave Oscar voters a tough choice over which should be picked as the best of the year. Host Jeff Commings details those three songs, and mentions a comeback song from The Beach Boys that might have finished in fourth place in nominations voting.

Only one of the Oscar-nominated songwriters for 1987 had previously been invited to the Academy Awards, giving us 10 men and women getting their first chances to win an Oscar. They all gave us a list of five nominated songs -- many of which have become classics -- that made the competition for the Academy Award very tight that year. The public loved many of the songs as well, with three of the five Oscar nominees earning a spot at number one on the Billboard Hot 100. Host Jeff Commings...

Academy voters increasingly became aware of the synergy between Hollywood and the music industry, voting for a Billboard #1 song for its Oscar for the past five years. Would that continue with the nominated songs from 1986? Two number-one songs were in contention, including a song performed by two mice and another for a sultry love scene for an action movie. Host Jeff Commings tells the stories behind the five nominated songs on this episode of The Best Song Podcast.

After the historic list of Oscar-nominated songs of 1984, the five nominees for 1985 had a lot to live up to. On this episode of The Best Song Podcast, host Jeff Commings tells of Lionel Richie's double nomination in the same year as his successful "We Are the World" composition, and the popular movie songs that missed out on a nomination.

Dean Pitchford returns to The Best Song Podcast to talk about bringing the 1984 movie Footloose to the big screen, and finding the best collaborators to write the songs from the hit soundtrack. That includes working with Kenny Loggins, who wrote and recorded the title song under very interesting circumstances. Host Jeff Commings talks with Pitchford about that Oscar-nominated song as well as "Let's Hear It for the Boy" and working with Deniece Williams. The lives of many of the nominated...

The 50th anniversary of the Original Song Academy Award featured two songs from the mega-popular movie Flashdance, which re-ignited the movie soundtrack craze, and two songs from Barbra Streisand's directorial debut Yentl. The other nominated song really did feel like a fifth wheel alongside these four songs, and we'll learn more about the journeys the songwriters took to get them out into the world on this episode.

Alan and Marilyn Bergman made history with their Oscar nominations for original song of 1982, becoming the first people to earn three song nominations in one year from three different films. Their work came in three different films, including Luciano Pavarotti's first (and last) movie role and a love song for the biggest comedy of 1982. Learn more about these nominated songs, and the other two that offered some tight competition for the Academy Award.