I'm speaking with Siggy Ferstl, Senior Colorist at Company 3 and colorist of Wednesday, The Boys, Narcos, Lost in Space and more. Hear about Siggy's long journey in the industry and how he continues to innovate. This episode is brought to you by Portrait Displays http://www.portrait.com

Our guest Joseph Slomka, principle color scientists for movies like Batman, Dune, Oppenheimer and more talks with me about workflows and deep dives into color science.

Cullen talks to renown colorist, Jill Bogdanowicz about her work on movies like Joker, John Wick, Umbrella Academy and more. She gives us insight on how best to collaborate with DPs and directors and how she builds a well rounded color practice. -- Get on the waitlist for this year's final round of my color grading course, the Colorist Career Accelerator (happening mid-October): https://bit.ly/cca-waitlist-autumn-2023

I speak with Maxine Gervais, colorist for The Continental, American Sniper, Jonah Hex, Book of Eli, Speed Racer and many more. She talks all about her challenges and triumphs on these high profile projects. __ Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs. http://procolor.ist/voyager-lut-pack

In this episode, Cullen sits down with Harbor Picture Company supervising colorist Andrea Chlebak to discuss her journey to becoming one of the industry's most in-demand artists, working on projects including Mandy, Elysium, and The Girl from Plainville. Their conversation touches on look design, tool selection, creative inspiration, effective client collaboration, and much more. This episode is brought to you by Portrait Displays.

Welcome to the Color Code! This episode dives into what you can expect to hear and learn in the show.