Tony Blair finally has to come face to face with his party and his country. To sell his war to parliament and to the public. Little does he know that in a few short months the weapons' inspectors, searching through the rubble in Iraq, will find something that will haunt him for the rest of his life and career. And it will leave us, the people, asking - can we ever trust our politicians again? A Somethin' Else production. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony Blair finally has to come face to face with his party and his country, To sell his war to parliament and to the public. Little does he know that in a few short months the weapons' inspectors, searching through the rubble in Iraq, will find something that will haunt him for the rest of his life and career. And it will leave us, the people, asking - can we ever trust our politicians again? A Somethin' Else production.

US Secretary of State Colin Powell is tasked with making a public case for war at the United Nations. As he tries to sort fact from fiction he alights upon evidence from the mysterious Iraqi defector known as Curveball. Meanwhile, weapons inspector Rocco Casagrande is searching the Iraqi desert. How will Powell’s speech match with the reality on the ground? A Somethin' Else production. Learn more about your ad choices. Visit megaphone.fm/adchoices

US Secretary of State Colin Powell is tasked with making a public case for war at the United Nations. As he tries to sort fact from fiction he alights upon evidence from the mysterious Iraqi defector known as Curveball. Meanwhile, weapons inspector Rocco Casagrande is searching the Iraqi desert. How will Powell’s speech match with the reality on the ground? A Somethin' Else production.

Tony Blair writes to George Bush “I’m with you whatever”. But now he needs to do two things: persuade the UK that war against Saddam is necessary, and the Americans that they need to seek international support for military action. The result is a decision by Bush to try and win round the United Nations, and an intelligence dossier that will haunt Blair forever. A Somethin' Else production. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony Blair writes to George Bush “I’m with you whatever”. But now he needs to do two things: persuade the UK that war against Saddam is necessary, and the Americans that they need to seek international support for military action. The result is a decision by Bush to try and win round the United Nations, and an intelligence dossier that will haunt Blair forever. A Somethin' Else production.

An Iraqi defector’s evidence becomes crucial to the case for regime change in Iraq. His codename is Curveball. Meanwhile journalists at the Knight Ridder news organisation investigate whether the White House is using bogus intelligence to make the case for war. A Somethin' Else Production. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Iraqi defector’s evidence becomes crucial to the case for regime change in Iraq. His codename is Curveball. Meanwhile journalists at the Knight Ridder news organisation investigate whether the White House is using bogus intelligence to make the case for war. A Somethin' Else Production.

How did WMD become central to the case for war in Iraq? We go back to 1991 - just after the first Gulf War - to find out why the argument for invading Iraq focussed on Saddam Hussein’s weapons of mass destruction. We look at how the Iraqis tried to hide these weapons and meet the two men who did the most to try and find them. A Somethin' Else Production. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did WMD become central to the case for war in Iraq? We go back to 1991 - just after the first Gulf War - to find out why the argument for invading Iraq focussed on Saddam Hussein’s weapons of mass destruction. We look at how the Iraqis tried to hide these weapons and meet the two men who did the most to try and find them. A Somethin' Else Production.

On September 11th 2001 the world changes in an instant. George Bush calls his greatest international ally, Tony Blair, and the two leaders stand shoulder to shoulder. But where and how should they strike back? A team of intrepid reporters in Washington investigates why the Bush administration is turning its attention towards Saddam Hussein and Iraq. A Somethin' Else Production. Learn more about your ad choices. Visit megaphone.fm/adchoices

On September 11th 2001 the world changes in an instant. George Bush calls his greatest international ally, Tony Blair, and the two leaders stand shoulder to shoulder. But where and how should they strike back? A team of intrepid reporters in Washington investigates why the Bush administration is turning its attention towards Saddam Hussein and Iraq. A Somethin' Else Production.

How did Bush and Blair get so close? We go back to the late 90s and hear how British Ambassador in Washington Christopher Meyer carried out Blair’s instruction to ‘get up the arse of the White House and stay there’. Meyer tries to find out what Bush’s position is on foreign policy and gets to know the influential group of conservatives advising him. They’re known as the neocons. A Somethin' Else Production.

Was there a chance to stop the 2003 invasion of Iraq before it even began? In February 2003 CIA agent Bill Murray chased a high level, top secret new source across the middle east. Bill was looking for a piece of information so valuable he might be able to use it to stop a war. A Somethin' Else Production.

On September 11th 2001, as he faced incalculable losses after the terrorist attacks that day, President George W Bush made a call to his greatest international ally: British Prime Minister Tony Blair. 18 months later, Bush and Blair led a coalition into a war that went horribly wrong. David Dimbleby, one of the BBC’s best known news hosts and reporters, takes us back to those crucial 18 months. Talking to prime ministers, politicians, spies and weapons inspectors he asks how and why we came...