Writer-director Todd Field used 'Tár' as his opportunity to make a film about power, starring Cate Blanchett as a character he's been thinking about for a decade.

Director Darren Aronofsky dives deep on “The Whale,” fatphobia, human connection and how he feels about Brendan Fraser and Sadie Sink.

Keke Palmer tells us about working with Jordan Peele on "Nope," being her family's breadwinner as a child and how she navigates the exploitation baked into Hollywood.

Filmmaker Baz Luhrmann discusses Elvis Presley’s controversial ties to Black music and what the singer's dynamic with Colonel Tom Parker reveals about America.

Emmy nominee Rhea Seehorn breaks down the 'Better Call Saul' series finale, opens up about Bob Odenkirk's heart attack and more.

Emmy nominee Colman Domingo discusses modeling 'Euphoria' character Ali after someone dear to his heart. He also reflects on redemption and forgiveness, calls himself a nerd and dishes on how he met Zendaya.

At 18, the 'Yellowjackets' star found the industry 'demoralizing.' Since then, she says, playing women who claim space has helped her claim her own.

Bill Hader and his dark comedy “Barry” have again raked in a slew of Emmy nominations. In this episode of “The Envelope” podcast, Hader dishes on what it’s like to simultaneously star in, write for, direct and executive produce a high-profile TV series of his own creation. (While doing some high-emotion acting, he recalls, “I kind of induced a panic attack — which I do not recommend if you're also directing.”) He also delves into how he transitioned from performing on “Saturday Night Live” to...

Gillian Anderson, who plays Eleanor Roosevelt on the Showtime series “The First Lady,” Joanna on “The Great” and Dr. Jean Milburn on “Sex Education,” really vibes with female characters who forge their own paths – and there’s good reason for that: Even when she was a small child, “telling Gillian what she could and couldn’t do” was impossible, she recalls her mother saying. In this episode of “The Envelope,” Anderson dishes on the importance of Roosevelt’s loving relationship with journalist...

Simone Ashley has always been a fan of the romance genre, but before being cast as Kate Sharma in “Bridgerton,” playing the lead in a period drama seemed improbable to her. “I never imagined that a woman who looked like me could be a part of one,” she says. In this episode of "The Envelope" podcast, Ashley discusses embracing the political aspects of her career, how acting on “Sex Education” prepared her for "Bridgerton" and how her upbringing taught her to dream big.

Jennifer Coolidge opens up about shifting from drama to comedy (and back again), overcoming cocaine addiction in her 20s and channeling the death of her mother to play the grieving Tanya McQuoid in ‘White Lotus.’

Jessica Biel’s latest series, “Candy,” is based on the true story of Candace Montgomery — a do-it-all mom who snaps after years of repressing her anger and kills her lover’s wife with an ax. “I understand her rage,” says Biel, relating to the stresses of projecting a perfect image in public. In this episode, she discusses why she’s drawn to playing antiheroes, how scrutiny of celebrities has changed since she was starring in “7th Heaven,” and the heated debates that she and husband Justin...

“Stranger Things” has brought Hopper back for Season 4, and nobody’s gladder than David Harbour, who wants to peel back the layers of the character and reveal “the hero that you've always wanted him to be” (as long as he survives this season, that is). In this episode of “The Envelope,” Harbour shares his thoughts on portraying a cop in the midst of national police brutality conversations, the upsides of finding fame later in his career, and how acting has helped him manage his mental health.

We're back for Emmys season and kicking things off with Lily Tomlin and Jane Fonda, who recently wrapped up their much-beloved Netflix series, “Grace and Frankie.” In this episode, the duo laugh and cry with us while reflecting on their decades-long friendship, their mutual admiration for their “9 to 5” co-star Dolly Parton, who reunited with them for the final episode, and the lies people tell about aging and death.

Border City is a new L.A. Times Presents podcast from the San Diego Union-Tribune. It's a story about beauty, violence and belonging in Tijuana. Enjoy this sneak peek, and be sure to listen and follow wherever you listen to podcasts.

Ahead of this weekend's Oscars ceremony, L.A. Times critics Justin Chang, Mary McNamara and Glenn Whipp join "The Envelope" co-host Mark Olsen to discuss the the ins and outs of this year's awards season, what to expect on the big night, and the future of the Academy Awards.

Mandy Moore reflects on the shocking Pearson family conversation in the latest episode, "Taboo," and teases what's coming up as the "This is Us" series finale nears. (Hint: Big Three trilogy episodes, Kate and Toby's relationship, Rebecca's final goodbye, and a pastrami sandwich.) Plus, what you can expect from her directorial debut, her parting words for Rebecca Pearson, and a blast from her past pop star life.

Don't worry, you didn't miss this week's episode! We're dropping our interview with Mandy Moore a little later than usual today. That's because we will be breaking down tonight's very emotional "This Is Us" episode (and dropping some hints about the series finale). So, watch tonight's show and then stop by at 7 pm PST or later. We'll be waiting right here waiting for you!

In her first audition for the role of Anita in Steven Spielberg’s “West Side Story,” Ariana DeBose stressed the importance of having her identity represented. “If you aren’t interested in reflecting that in the context of your script,” she told the acclaimed director, “I don’t think that you should hire me.” The result is a far cry from the “ethnically ambiguous” characters DeBose has portrayed in the past, and she is now the first Afro Latina and the first queer woman of color to be...

Though she's had a long career, Aunjanue Ellis has only recently broken through to widespread acclaim. Now, she is nominated for an Academy Award for her performance in "King Richard" as Oracene Price, the mother of tennis legends Venus and Serena Williams. In this “The Envelope” podcast interview, she opens up about fighting for her character to receive her due as a coach of the Williams sisters, the practical perks of being nominated for an Oscar, and her approach to playing...

Kieran Culkin, who plays Roman Roy on "Succession," helps us dissect the moments from the Season 3 finale that we still can't stop thinking about: the Roy sibling alliance, Gerri's betrayal, and the surprising ending. Plus, we discuss his upbringing as a child actor, why conjuring up his family's past doesn't actually help him in scenes and THAT Jeremy Strong New Yorker article. Fair warning: This conversation contains profanity.

Ahmir “Questlove” Thompson on how sifting through 40 hours of archival footage of the 1969 Harlem Cultural Festival — where legends like Nina Simone and Stevie Wonder performed in the same summer as Woodstock — led to his debut documentary, ‘"Summer of Soul.” Plus, how the parallel protests of 2020 and 1969, as well as a focus on Black joy, helped to shape the film, and why he still considers "The Tonight Show" with Jimmy Fallon his creative epicenter.

"Spencer" director Pablo Larraín details the historical truths in his Princess Diana fable, explains the film’s handling of sensitive elements — such as Diana’s eating disorder and relationship with her sons — and shares the moment on set when Kristen Stewart “lost it” in a good way.

Beanie Feldstein takes us behind the scenes of her performance on “Impeachment: American Crime Story” and shares why playing Monica Lewinsky forced her to 'disassociate' from herself. Plus, she opens up about the sudden death of her brother, Jordan, and gushes over the Jewish women (Bette and Barbra) who paved the way for her role as Fanny Brice in the upcoming Broadway revival of “Funny Girl.”

Maggie Gyllenhaal discusses the “electrifying” experience that led to her adaptation of “The Lost Daughter.” Plus, she details her correspondence with anonymous author Elena Ferrante, her attempts to truthfully portray motherhood on screen and her hopes for future collaborations with her brother, Jake Gyllenhaal.