Rob Curry & Tim Plester craft a lyrical response to the life, work & tragic loss of the High Queene of English Folk music, Shirley Collins.

DN caught up with Chris Shepherd to reflect on his celebrated career and return to the hybrid world of animated/live action violence in 'Johnno’s Dead'.

Director Paul Goodwin & Producer Sean Hogan delve into the creation of their passion fuelled documentary history of the Galaxy's Greatest Comic, 2000AD.

Nico Edwards' debut documentary follows 16 crew members aboard a 120ft sailing Ketch as they journey through some of the most treacherous seas on earth.

Matt Hopkins & Ben Lankester's feature doc follows five-piece rock band I Like Trains as they struggle to breakthrough after losing their record deal.

Nickolas Duarte's doc provides a glimpse into the extraordinary and complex life of Jay Kyle Peterson, an abstract artist with an even more abstract past.

Jorge Riquelme Serrano shares how structured improvisation enabled him to shoot his uninvited guest psychological thriller feature debut in a mere 4 days.

Eva Orner’s documentary exposes the repugnant, inhumane ways the Australian government treats asylum seekers and its attempts to hide these atrocities.

A young lonely woman is consumed by her deepest & darkest desires after tragedy strikes her quiet country life in Nicolas Pesce's horrifying debut feature.

Tomasz Wasilewski returns to the DN podcast with a tale of lust, isolation and loneliness in which four woman decide it's time to change their lives.

Edoardo De Angelis explores themes of individualism and sororal symbiosis in his tale of singing siamese twins who discover the possibility of life apart.

Joachim Lafosse discusses how he depicted a couple's acrimonious separation and divorce through the use of long fluid sequence shots of domestic hostility.

Jesper W Nielsen delivers a painfully honest depiction of a Danish orphanage where two brothers try to escape the wrath of their headmaster’s tyranny.

Alice Diop's latest documentary seeks to put names and faces to the asylum seekers suffering a life of loneliness and fear as they live in exile in Paris.

Keith Maitland shares how he combined archival footage & rotoscoped animation to place audiences in the crosshairs of his Texas Tower shooting documentary.

A film filled with deep humour and an even deeper humanity, DN sits down with Icelandic Director Grimur Hakonarson to discuss his Un Certain Regard winning feature ‘Rams’ .

Award winning Director Jaco Van Dormael joins DN to discuss why his irreverent forth feature ’The Brand New Testament‘ isn't about religion.

Israeli director Asaf Korman joins us on the podcast with feature debut ‘Next to Her’, an intimate and very personal look at the themes of co-dependence and unhealthy symbiotic relationships.

Oscar-nominated Director Hanna Polak reveals why she dedicated 14 years of her life to tell the story of Yula, a young girl who grew up on Europe's largest garbage dump, in the heart wrenching vérité documentary ‘Something Better to Come’.

Stephen Fingleton joins DN to discuss the harsh realities of a career in filmmaking and how he created the contained post-apocalyptic world of his debut feature ‘The Survivalist’.

"Don’t sit & wait for the chance, do it!" Dir. Jakob M. Erwa shares the rallying cry that powered the production of his psychothriller feature ‘Homesick’.

Australian Director Maya Newell discusses her exploration of same-sex parenting in her debut documentary ‘Gayby Baby’.

DN talks to Matt Sobel about his inverted coming of age feature 'Take Me To The River' and discovers how he harnessed the celebrity power of Taylor Swift to craft an impressive performance from his young co-star.

Artist & Director AKIZ shares how he brought realism to his fantastical feature 'Der Nachtmahr' whilst augmenting the film’s abrasive techno soundtrack through the use of sonic experiments.

Greek Director Alexis Alexiou joins us to discuss how he went about creating a lyrical, surreal quality for his crime thriller 'Wednesday 04:45' and why in his opinion good film noir is actually political in nature.