Full Notations: www.shivkumar.org/music mitri bhAgyamE   Ragam: Kharaharapriya (22nd mela kartha) Kharaharapriya - Wikipedia Arohana:               S R2 G2 M1 P D2 N2 S       || Avarohana:           S N2 D2 P M1 G2 R2 S       || Talam: Adi Composer: Tyagaraja Version: Ram Kaushik (Youtube Original) Lyrics / Meaning Courtesy http://thyagaraja-vaibhavam.blogspot.com/2007/07/thyagaraja-kriti-mitri-bhaagyamae-raga.html Youtube Class: https://www.youtube.com/watch?v=bTGEl66GSSE Audio MP3 Class: http://www.shivkumar.org/music/mitribhagyame-class.mp3   Pallavi: mitri bhAgyamE bhAgyamu manasA sau(mitri)   Anupallavi: citra ratna-maya SEsha talpam(a)ndu sItA patini unici(y)Ucu sau(mitri)   Charanam: bAguga vinta rAgamulan(A)lApamu sEyaga mEnu pulakarincaga tyAgarAja nutuDagu SrI rAmuni tatv(A)rthamunu pogaDi jucu sau(mitri)     Meaning: Courtesy Tyagaraja Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2007/07/thyagaraja-kriti-mitri-bhaagyamae-raga.html   Sahityam: mitri bhAgyamE bhAgyamu manasA sau(mitri) Meaning: O My Mind (manasA)! The fortune (bhAgyamE) of lakshmaNa - son of mitrA – sumitrA (mitrA) (saumitri) is indeed the real fortune (bhAgyamu). mitri: friend bhAgyamE: is indeed the fortune bhAgyamu: fortune manasA: by the mind sau(mitri): Sumitra's son (refers to Lakshmana, brother of Rama)   Sahityam: citra ratna-maya SEsha talpam(a)ndu Meaning: A O My Mind! The fortune of lakshmaNa, who saw the lord sitting on the pretty (citra) gem-studded (ratna-maya) couch (talpamu) (talpamandu) of SEsha and gently rocking (Ucu) (uniciyUcu) it, citra: wonderful ratna-maya: gem-filled SEsha: of the serpent king (Ananta, on whom Vishnu rests) talpam(a)ndu: on the bed   Sahityam: sItA patini unici(y)Ucu sau(mitri) Meaning: … Lakshmana, who has the privilege of seating (unici) the Lord SrI rAma – Consort (patini) of sItA – on (andu)   sItA: Sita (wife of Rama) patini: as the wife unici(y)Ucu: having made sau(mitri): Sumitra's son (Lakshmana)     Sahityam: C: bAguga vinta rAgamulan(A)lApamu Meaning: C The fortune of lakshmaNa, who, while exposition (AlApamu) of exquisite (vinta) rAgAs (rAgamulanu) (rAgamulanAlApamu) is nicely (bAguga)   bAguga: beautifully vinta: heard rAgamulan: ragas (melodies) AlApamu: exposition     Sahityam: sEyaga mEnu pulakarincaga Meaning: such that he (lakshmaNa) experiences horripilation (mEnu pulakarincaga) (literally bodily horripilation),   sEyaga: while doing mEnu: body pulakarincaga: thrilled     Sahityam: tyAgarAja nutuDagu SrI rAmuni Sahityam: tatv(A)rthamunu pogaDi jucu sau(mitri) Meaning: performed (sEyaga) (by tyAgarAja), … appreciates (pogaDi jucu) (literally praise) the true purport (tatva arthamunu) (tatvArthamunu) of SrI rAma (rAmuni) – praised (nutuDagu) by this tyAgarAja – is indeed the real fortune of Lakshmana.   tyAgarAja: Tyagaraja (the composer, also a name for Lord Shiva, here referring to the saint-composer) nutuDagu: praised SrI rAmuni: Lord Rama tatv(A)rthamunu: the true meaning pogaDi: praising jucu: saw sau(mitri): Sumitra's son (Lakshmana) [NOTE: The renditions of Nedanuri Krishnamurthi, Hyderabad Brothers and Ram Kaushik start with the anupallavi]