We’ve fallen a little behind the monthly schedule with isolated mixes recently, but that’s mainly because the artists lined up have been working hard on some very special journeys for us all. Getting back into the swing of things now, our latest mix comes from an artist who I got to know through a small online group that obsesses over Trance music, and ultimately helped us bring to life our recent Rapture Network 9128.live takeover, helping organize and provide the brilliant logo/identity for the festival and t-shirts. When he and I are not obsessing over all types of ambient and psychedelic trance music, Sunju Hargun has been busy launching his new label, Siamese Twins Records, which since 2020 has not only been an outlet for some of his own work, but also served as an introduction to many pan-Asian artists through compilations such as Kāthā, and Vinyan, presenting a spectrum of “Eastern psychedelia”. The compilations represent a great starting point for many new artists stemming from a local scene, and one that I am excited about digging deeper into through both Sunju and his new label curation. Kāthā V.A. (ST๐๐๕) by Siamese Twins Records “A hypnotic sound bath in which tribally-rooted ambient morphs into one entity. Drones, live instruments and esoteric textures are transformed into a contemporary Kāthā interpretation.” Coincidentally, during my trip to Hidden Sounds record store in London, I had picked up a remix EP from Sunju’s label, that delved into the slightly trancier side of his tastes (and label). It was a fleeting visit where the shop owner Alex loaded me up with so many nice bits, that I had hardly stopped to look at the artists and labels in my bag and was purely grabbing stuff on sound - always an exciting tactic for exploring new records when you get them home and realize you ended up supporting someone you enjoy based on music alone. Vinyan Remixes (SToo๔) by Siamese Twins RecordsIt’s with great pleasure to have Sunju behind the decks for this isolatedmix and a get peek into his own influences that undoubtedly shape his own productions, mixes and label output…Hi Sunju, can you give us an intro to your musical upbringing? I’m of Indian descent, born and raised in Thailand with some roots from Japan. I find love and happiness in connecting with people through music. I co-run the Siamese Twins records record label focusing on psychedelic sounds from the East. I’m also a part of the Karma Klique collective organizing parties in nature across Thailand with proceeds going to local social causes.I was surrounded by lots of music when I was young. Lots of people whose music is sought after in the local Thai jazz/blues wave were my father’s friends, and some of that music was connected to psychedelic rock as well. Around that time was also another side of music which was an integral part of my life, came from my mother’s passion for Indian art and traditional Hindu soundtracks from the early 60’s to 70’s. We are both deep Trance fans at heart - but how did you get into the ambient side of music? At the time I was living in Shanghai, my friends would host intimate house sessions every other weekend to experience ‘trip’ gatherings with the music we felt connected to and grow our little prog-trance family by inviting other ravers we met along the way. Most of us were music nerds of the group that had to contribute to certain hours of the night to share our playlists, and I was mostly in charge of sunrise. Although I was not familiar with the term Ambient back then, instead referred to it as Reprise/Chillout'. Having the pleasure to breathe through the early 2000’s Prog era, I was heavily inspired by compilations from Global Underground, Renaissance & Producers like Satoshi Tommie, Spooky, Starkid, Leama, and Rabbit in the moon are just a few to mention that were a gateway to falling deeply in love with it. Your new label Siamese Twins Records has made an excellent sta