Ricky Maynard isn’t solely interested in creating great pieces of art. Instead Maynard aims for what he calls “great pieces of evidence.” Since the 1980s the photographer’s practice has focused on the history, trauma and struggle of Indigenous people, capturing significant historical sites, landscapes and community figures. In this way Maynard’s practice is marked by the ongoing intent to tell the story of Aboriginal people beyond a colonial gaze. He discusses this in our conversation, beginning with how he became interested in documentary photography, while also considering his photos as a catalyst for future racial justice. See more at Art Guide Australia online: https://artguide.com.au/ricky-maynard-art-as-evidence