Christine Vachon - 'May December' & 'Past Lives'
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One of the all-time most distinguished producers of independent film — who has somehow never received a best picture Oscar nomination, despite credits including 'Boys Don't Cry,' 'Far from Heaven' and 'Carol' — reflects on meeting Todd Haynes and abandoning early ambitions to become a director, how 'New Queer Cinema' came to be and why she still bets on first-time filmmakers like Celine Song.
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