Nerts! Are you folks ready to get MANK-PILLED? We advise that you start by “mankro-dosing” David Fincher’s 2020 exploration of the life and times of cantankerous screenwriter Herman J. Mankiewicz. The Big Picture’s Sean Fennessey joins us to chat about Fincher’s first Netflix feature, and we’re asking all the important questions. Would this film have a better reputation if it had been titled “manK!” ? Will there be a film made 40 years from now entitled “SORK” about Aaron Sorkin, David...

“Amazing Amy” meets “Awkwardly-Smiling Affleck” in Fincher’s darkly comic masterpiece - an instant classic from that first shot of Rosamund Pike’s pretty head. The delightful Esther Zuckerman (who will definitely NOT “gone girl” her boyfriend) joins us to discuss this impressive work of adaptation. We’re asking all the big questions - is “Amazing Amy” actually a good children’s book? Did Tyler Perry take any directing tips from David Fincher when he made BOO! A MADEA HALLOWEEN? Would this...

The Girl with the Dragon Tattoo? More like The Girl Who Go On Computer! The Girl with the Fruit Tattoo - Fran Hoepfner - joins us as we dive into Fincher’s 2011 Nordic noir. How does Fincher’s take on Stieg Larsson’s international best-seller compare with the original Swedish version? What does Rooney Mara as Lisbeth Salander have in common with ET? Does Christopher Plummer have the greatest octogenarian acting decade of all time? WHEN WILL BEN HOSLEY MAKE HIS WITCH HACKER MOVIE? Guest...

Let us take a walk down memory lane to when the Metaverse was but a twinkle in Zuck’s eye, to when Aaron Sorkin was just a much-respected writer and not yet a (groan) director…to when the idea of a prestige film about millennial tech bros seemed like a ludicrous proposition. My, how times have changed! THE SOCIAL NETWORK is one of the most influential and consequential films of the 21st Century - prescient, quotable, and eminently rewatchable. You know what’s cooler than a two hour podcast? A...

2007’s THE CURIOUS CASE OF BENJAMIN BUTTON is a film that dares to ask the question, “What if he baby but old?” Despite the meme-ification of David Fincher’s trip to the uncanny valley, we are pleased to make our belated case for why this movie is GOOD, actually, and in step with the themes of Da Finch Man’s body of work - not a sappy outlier. Vanity Fair’s Richard Lawson returns to the podcast as we all grapple with mortality, wistfully opine about tugboats, and develop an absurd running bit...

This is the Zodiac speaking. I have recorded this podcast episode with Griffin, David, and the genius Leslye Headland because I am tired of the tangents on every other episode so far this Fincher series. With this episode, we’re getting into the CRAFT, the OBSESSION, the MADNESS, the MINUTIAE of David Fincher’s Gordian knot of a true crime mystery. What is the scariest scene in ZODIAC? Which of the three main actors gives the best performance? Are Aqua Velvas good? Like my identity, there is...

We’re scootin’ through some wild Manhattan real estate this week and locking ourselves into David Fincher’s PANIC ROOM with the wonderful Eva Anderson! Can you believe that Jodie Foster wasn’t even supposed to be in this movie? And that David Fincher was the one who braided Jared Leto’s cornrows? Just kidding about that last one. Come for Griffin’s formative crush on young Kristen Stewart, stay for the inexplicable amount of talk about “Studio 60 on the Sunset Strip” - a show that has...

The first rule of Fight Club? Don’t talk about Fight Club. The second rule of Fight Club? DON’T TALK ABOUT FIGHT CLUB. For those of you who like following the rules, we have an edited version of this episode available on Patreon wherein we do NOT talk about the seminal 1999 film FIGHT CLUB. But for the rest of you sickos, we’ve got a supersized episode with Project Mayhem’s own Alex Ross Perry. In this episode, we discuss our picks for the iconic DVDs of the “DVD era”, dive into the career of...

Congratulations! If you are listening to this episode, it means you’ve discovered the key in the mouth of the wooden clown we placed in your driveway. Actor, musician, and handsome man Brendan Hines joins us this week as we lead you on an immersive, life-changing experience through David Fincher’s The Game. We understand you may have some questions. How much did this whole thing cost? Is cocaine a requirement for every Michael Douglas movie? What’s Deborah Kara Unger up to these days? Did...

Who loves Da Finchman? These guys do! MTV Movie Award-losing duo Mitch and Nick of the Doughboys join us to talk about David Fincher’s breakthrough hit - the nasty noir SE7EN. What can you expect from this episode? Lots of talk about “playground rumors” related to what this movie does and doesn’t actually show, a full taxonomy of Kevin Spacey’s on-screen persona, the true identity of the Zodiac killer, and a VERY Doughboys description of the film’s “gluttony” murder. Guest Links:  Listen to...

The time has come for us to talk about one of the most successful, most influential, most respected American filmmakers of the past 30 years. That’s right, we’re talking about the director of ALIEN3, David “Da Finchman” Fincher! We’re kicking off “The Curious Pod of Benjamin Buttcast” in style, pressing play on our Alien Quadrilogy Blu-Ray with guest Matt Singer - and you better believe we’re watching the “extended cut” in “Mu-th-ur Mode”! Join us as we give some light background on young...

Decision to Leave? More like, decision to watch a good movie! EMMY AWARD WINNER (but more importantly, David Sims Best Supporting Actress Nominee of 2017) joins us to discuss Park’s most recent film, a romantic noir that gets text messaging absolutely right. We’re getting into everything, from the complexities of Tang Wei’s performance, to the concept of “sand beaching,” to S. Craig Zahler’s tight ponytail. Plus, we give our final Park rankings, and announce our next series, the worst-kept...

We couldn’t be more excited to talk about the film we consider to be Park’s masterpiece - the gorgeous, twisty, and ultimately moving THE HANDMAIDEN. “Mother of the Blankies” Emily Yoshida joins us to unpack this puzzlebox of an erotic thriller, a brilliant adaptation of Sarah Waters’ Fingersmith. Come for the coining of a new Blank Check phrase (thanks, researcher JJ!), stay for a very crucial “touch of the Tucc” tangent. By the way - what does that octopus actually do?? This episode is...

Remember when the star of TV’s Prison Break (Wentworth Miller, “human map”) wrote a screenplay that landed on the Black List and ended up serving as the material for Park Chan-Wook’s only English film to date? What a time to be alive! Mia Wasikowska superfan Emily St. James returns to Blank Check to offer her take on 2013’s Stoker, a movie that is not NOT about vampires. Join us as we fawn over Park’s stunning directorial choices (that shot where Nicole Kidman’s hair transitions into grass!),...

Move over, Dracula. Eat your heart out Edward Cullen. A new sexy vampire is in town, and he just happens to be a PRIEST! Park Chan-Wook reunites with the wonderful Song Kang-ho to put his own stamp on the popular genre with 2009’s THIRST. Inverse’s Hoi-Tran Boi joins us to chat about this darkly funny (and devilishly sound-designed) film, an adaptation of Emile Zola’s classic novel Thérèse Raquin. How do the rules of vampirism translate to a culture where everything is cooked with garlic?...

From the twisted mind of Park Chan-Wook, it’s…a surprisingly sensitive romance set in a mental hospital? Writer and Comedian Karen Chee joins us to chat about 2006’s I’M A CYBORG, BUT THAT’S OKAY - a real outlier in Park’s career, and a commercial disappointment after the global success of his Vengeance Trilogy. Would it surprise you to learn that this film was inspired by, of all things, TOY STORY? Is this the best Park film to remake with a cast of Muppets? Are any of the film’s mental...

DA MOVIESH ARE BACK, BABY! Film Director Barbie joins the gang to chat about Christopher Nolan’s latest and an historic weekend at the multiplex. What’s the best format for seeing OPPENHEIMER? Which of the many character actors in this film makes the biggest impression? Will David make his sexy Christopher Nolan voice a new recurring bit? Plus - we address the SAG strike (solidarity!), the social media discourse around this film (so dumb!), and Ben admits that science used to seem cool. This...

It’s 2023. An all-powerful AI program named “the Entity” is sewing chaos and threatening the fragile equilibrium of the world as we know it. It is also throwing sick parties. Meanwhile, over at Blank Check HQ, the BENTITY has a few tricks up his sleeve to surprise Griffin, David, and Marie with a mission of their own as they break down Tom Cruise and Christopher McQuarrie’s latest big-screen extravaganza. Special thanks to IMF team members Teo Rapp-Olsson and Patrick Willems. Support their...

Park Chan-Wook’s loosely-linked “Vengeance Trilogy” comes to a starkly satisfying end with 2005’s LADY VENGEANCE - a normal flick…that’s all we have to say! Just kidding - we have LOTS to say about this one, with its stacked cast of lady convicts and grief-stricken parents. Our beloved Karen Han returns to the pod to correct our terrible Korean pronunciations and to tell us about “Jump Like A Witch” - a Korean reality series wherein famous female celebrities attempt to form a basketball team....

What is an Oldboy? How do you feel about Greek Tragedies? How did Choi Min-Sik achieve that iconic (and insane) hairstyle? Was giving the 2004 Palme d’Or to FAHRENHEIT 9/11 over this film one of the greatest mistakes in the history of arts and culture? All those questions answered and more as critic Alison Willmore joins us to talk about OLDBOY, the first major Korean breakthrough in the American filmbro canon.  Guest Links:  Read Alison's writing at New York Magazine Especially “Theory: Top...

Park Chan-Wook kicks off his famous “Vengeance” trilogy and we kick off another episode where we talk about Ted Danson’s late 90s sitcom BECKER! Critic, friend of the pod, and Crystal Skull-apologist David Ehrlich joins us to chat about Park’s “Sympathy for Mister Vengeance” - a film that shows that revenge is not a dish best served cold, but is actually kind of sad and futile. Come for Ehrlich’s story about his teen trip to Seoul (when he had lunch with Director Park!), stay for the...

Park Chan-Wook’s 2000 breakthrough and Korean box office juggernaut - JSA (Joint Security Area) - is the rare international murder-mystery that dares to ask the question…”what if the real smoking gun was FRIENDSHIP??” Join us as we unpack this poignant and twisty thriller, and maybe some of you can unpack on your own time why Griffin chooses to bring up THE LITTLE RASCALS when talking about Korean geopolitics. This episode is sponsored by:  Double Fine PsychOdyssey...

It’s a brand new era for Blank Check - Griffin is in his “arriving early to work” era. Ben is in his “Bad Boy 2.0” era. And we’re all in our WORLD CINEMA era as we kick off our series on South Korean master (and March Madness champion!) Park Chan-Wook. Join us as we offer a brief overview of the evolution of Korean cinema - from 1960’s landmark THE HOUSEMAID up through decades of government censorship - and introduce the career of one of our finest filmmakers. However - we’re gonna be real...

Our Buster Keaton series comes to a conclusion as his period of creative independence does, with his first two features for MGM: THE CAMERAMAN and SPITE MARRIAGE. The former? Debatably a meta-masterpiece, with a Chinatown setpiece for the ages and one very adorable monkey. The latter? Well, you can see the downward spiral start to take shape. In this episode, we fill in the later years of Buster’s life and career, give our final Keaton rankings, and attempt to cheer Ben up after a very...

After his “blank check” for THE GENERAL bounced,  Buster Keaton found himself creatively and financially shackled. Thus, 1927’s COLLEGE lands on the lesser end of the quality spectrum (not to mention a very difficult watch with Buster putting on blackface for a scene - yikes). But, his follow-up STEAMBOAT BILL, JR. features some of the most memorable and dangerous stunts of Keaton’s career, and acts as a beautiful send-off to his period as a self-sufficient filmmaker. The wonderful John...