In THE WHITE DRESS, Nathalie Léger tells the story of Pippa Bacca, a thirty-three-year-old Italian feminist performance artist who decided to hitchhike from Milan to Jerusalem wearing a white wedding dress to symbolise “marriage between different peoples and nations.” Through her intense examination of Bacca’s final work and of the often polarised public reaction to the role of women in art, Léger also compellingly addresses her own conflicted relationship with her elderly mother.Does Bacca’s work actually need to be translated in a narrative form. Like any visual artist, it’s there in the performative act. Which makes one ask is all communication translation or indeed translatable?In your view, what makes a good translator and how can translation change perceptions of our world?Discover the answers to these questions and more, as Lucy Popescu interviews award-winning translator Natasha Lehrer who has translated two of Léger’s books.Presented by Lucy Popescu | Produced by Rupert Such