13 - Don Quixote, Part II: Front Matter and Chapters I-XI
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Description
The modern novel that develops from the Quixote is essentially a political novel and an urban genre dealing with cities. In Part II there is a sense of the text being written and performed in the present because it incorporates current events, such as the expulsion of the moriscos, a critic of the arbitristas and a satire of the aristocracy. In part two of the Quixote Part I plays the role that the romances of chivalry played in Part I: the characters have read the first part and so a new larger mirror has been added to the play of mirrors that was already present. Characters evolve within a social context, which is consonant with the political character of the novel and has much to do with the development and evolution of realism in literature in the representation of everyday life and of common people. An explanation of the Baroque aspects that appear in the second part of the novel helps to understand the Quixote as a whole and its relation with the first part.
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Commentary of the key concepts of Spanish Baroque, desengaño, introduces González Echevarría's suggestion that the plot of the Quixote follows a Baroque unfolding from deceit (engaño) to disillusionment (desengaño). The discussion of Don Quixote and Sancho about knight-errants and saints is not...
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González Echevarría talks about the transition that we, as present-day readers undergo, between Part I, published in 1605, and Part II of the Quixote, published in 1615. He first reviews the grand themes of part one: 1) ambiguity and perspectivism, 2) the idea that the self can impose its will...
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