Liz really walks me through her educational experience relating to fiber art and how it led her to where she is today - from the London College of Fashion to working as a seamstress. Liz had what she refers to as a “backwards approach” to natural dyeing, beginning with gardening natural dye plants before ever dyeing with them. She has experienced many forms of fiber and many ways of relating to the medium, but she feels like natural dyeing is the one that’s really stuck and is one she continues to practice and learn more about every day. Liz explains how she’s made her practice work, from a small apartment in Brooklyn to a family home in Riverside - alongside raising children and teaching in academic institutions. What I really appreciate about talking to Liz is her honesty and sincerity - it’s so clear how much Liz loves and is fascinated by natural dyeing, and I loved how she really tells us about how she’s made it work for her and how she and her family plan to make it work in the future. She’s certainly a person whose work inspires me endlessly, so I’m excited to share with all of you what she had to say! Liz really walks me through her educational experience relating to fiber art and how it led her to where she is today - from the London College of Fashion to working as a seamstress. Liz had what she refers to as a “backwards approach” to natural dyeing, beginning with gardening natural dye plants before ever dyeing with them. She has experienced many forms of fiber and many ways of relating to the medium, but she feels like natural dyeing is the one that’s really stuck and is one she continues to practice and learn more about every day. Liz explains how she’s made her practice work, from a small apartment in Brooklyn to a family home in Riverside - alongside raising children and teaching in academic institutions. What I really appreciate about talking to Liz is her honesty and sincerity - it’s so clear how much Liz loves and is fascinated by natural dyeing, and I loved how she really tells us about how she’s made it work for her and how she and her family plan to make it work in the future. She’s certainly a person whose work inspires me endlessly, so I’m excited to share with all of you what she had to say! Liz really walks me through her educational experience relating to fiber art and how it led her to where she is today - from the London College of Fashion to working as a seamstress. Liz had what she refers to as a “backwards approach” to natural dyeing, beginning with gardening natural dye plants before ever dyeing with them. She has experienced many forms of fiber and many ways of relating to the medium, but she feels like natural dyeing is the one that’s really stuck and is one she continues to practice and learn more about every day. Liz explains how she’s made her practice work, from a small apartment in Brooklyn to a family home in Riverside - alongside raising children and teaching in academic institutions. What I really appreciate about talking to Liz is her honesty and sincerity - it’s so clear how much Liz loves and is fascinated by natural dyeing, and I loved how she really tells us about how she’s made it work for her and how she and her family plan to make it work in the future. She’s certainly a person whose work inspires me endlessly, so I’m excited to share with all of you what she had to say! Liz really walks me through her educational experience relating to fiber art and how it led her to where she is today - from the London College of Fashion to working as a seamstress. Liz had what she refers to as a “backwards approach” to natural dyeing, beginning with gardening natural dye plants before ever dyeing with them. She has experienced many forms of fiber and many ways of relating to the medium, but she feels like natural dyeing is the one tha