Workflow from design to fitting
Listen now
Description
The costume supervisor is the key liaison point between the costume workroom and the costume designer, but direct contact between the designer and maker really helps everyone to get a good idea of what's required. After the actor's measurements are received at the start of the rehearsal period, patterns and material can be cut and the costume assembled in a provisional form prior to a series of fittings, after which the costume will be assembled in its final form.
More Episodes
Dyer and Textile Artist Rosie Maccurrach demonstrates the dyeing of Medea’s bloodied and mud-stained dress, worn by Helen McCrory in the final scenes of the 2014 production of Medea.
Published 06/09/15
Published 06/09/15
See how Designer Rae Smith's costume concepts are turned into beautiful finished pieces in the National Theatre costume workshop. This short film follows the process of creating the beautiful military dress coat worn by Hal Fowler as King Ignacio, from initial sketches to the full detail of the...
Published 04/02/14