Description
Jerod Brennan always goes dark.
I’ve mentioned this before, but when we were first
conceiving this show, for some reason we kept coming back to threats to
children. “Godmother” was my riff on this theme, and Greatest Show is Jerod’s.
He, uh, managed to go a little darker than me.
Greatest Show (Left) on
Earth started out as a 5-page short film script that Jerod wrote a few years
ago. I didn’t do much to adapt it – mostly I converted the stage directions to
first-person narration or dialogue.
For example, here’s how the Crooked Man’s intro is described in the original script:
EXT. CIRCUS TENT – NIGHT
The Crooked Man BARKS at the crowd, drawing them toward the tent. He collects items from them as admission: a can of food, a book of matches, a winter coat.
I converted that to the spiel that Max delivers as we enter
the tent for the final performance.
I’d like to give a special shout-out to Dan Kiely for striking the right world-weary note for Harry’s narration. He really sounds like a guy who “escaped the end of the world.”
Cast & Crew
Harry Weisz: Dan KielyClem: Tiffany KielyThe Crooked Man: Max GroahYoung Nathan: Tony GoinsWritten by: Jerod BrennanAdapted and Produced by: Tony GoinsRecordamatography: Micah Jenkins
Bong of the Living Dead
So I mentioned that Dan Kiely, Tiffany Kiely and Max Groah
are part of a local film group called Backward Slate Productions, and that they
have a movie called “Bong of the Living Dead,” and that film is available on
DVD, Blu-Ray and glorious VHS. Friends, I’m here to tell you that’s all true.
It played a crap-ton of festivals last year, and it is indeed available in all of those formats.
Backward Slate Productions
Bong of the Living Dead
Bong of the Living Dead at Scream Team Releasing
SFX Corner
A lot of the heavy lifting in this show is done by Kevin
MacLeod’s “Waltz of the Carnies,” which is gratefully acknowledged here. I don’t
know anything about Kevin, and if there’s dirt on him, don’t tell me, because
he’s aces in my book.
Kevin MacLeod’s “Waltz of the Carnies”
I also used the following from Freesound.org:
civil defense geiger
counter_lionel electronic labs model 6b.wavaudience becomes
still 01.wavWind chimes 3
(quiet)Backpack Foley (The tent flap!)Canvas Tent 2.wav
And a number from ZapSplat:
The trickiest foley in this piece was the scene with Harry and Clem. The script called for light wind and a Geiger counter. How do you depict a light wind? Over audio, any wind at all sounds like a hurricane. I opted to put in wind chimes. I guess Harry is a wind chime guy.
Some of the foley was performed live by me: The handcuffs at
the beginning are a pair of slip-nose pliers, and the ticking at the end was a
fingernail clipper. I’m snapping the lever backwards in time to the action.
“She traded her eyes for forbidden knowledge.”
When creating the character of Susan Downs, I was looking for something with a strong logline that could carry any story I felt like telling. I wanted something with a supernatural bent, and I was tired of the crime noir stuff I’d been...
Published 12/12/19
I actually read this story a few years ago in Fantasy Scroll
Magazine, and when I got in touch with Jarod I suggested it could make a good
radio story. It has a strong narrator, a nice twist, and – most importantly –
it ain’t too long.
This episode marks the first one of our second season,...
Published 04/26/19