We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman’s point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind.
How can such pro-woman lyrics come from someone who despises the word feminism? Dolly explains.
As Dolly will tell you, so much of who she is - her creativity, her music, her stance on life - emanates from her faith, but what exactly is that faith? The answer is deeply surprising. In this episode, Dolly tells a story of finding God in an abandoned church filled with X-rated graffiti. And...
In this second bonus music episode, we play two live songs we recorded, sung by bluegrass musicians Nora Brown and Amythyst Kiah.
You can find Nora on facebook @norabrownbanjo, instagram @little.nb, and her music at jalopyrecords.org and on Spotify.
Amythyst is on facebook, instagram, and...