Maxine Doyle is the choreographer for Punchdrunk. For the 2009 staging of Every Good Boy Deserves Favour she worked with performers to create a dedicated movement language. In this film she talks about the concept behind the piece.

Felix Barrett and Tom Morris discuss the benefits of co-directing: explaining how the bouncing ideas off each other can lead to greater experimentation and a bolder vision, as well as a more encouraging atmosphere in the rehearsal room.