Critics review the latest film releases: “The Marvels,” “Dream Scenario,” “It’s a Wonderful Knife,” “A Still Small Voice.”

The latest film releases include Priscilla, The Killer, What Happens Later, and Rustin. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day,” and Alonso Duralde, film critic and co-host of movie podcast Linoleum Knife.

The latest film releases are Five Nights at Freddy's, Pain Hustlers, The Holdovers, and Fingernails. Weighing in are Amy Nicholson, host of the podcast Unspooled and film reviewer for the New York Times, and Shawn Edwards, film critic at Fox 4 News and co-founder of the African American Film Critics Association.

The latest film releases are Killers of the Flower Moon, The Persian Version, More Than Ever, and Divinity. Weighing in are Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed,” and Carlos Aguilar, film reviewer for the Los Angeles Times and AV Club.

The latest film releases include Anatomy of a Fall, My Love Affair with Marriage, Silver Dollar Road, and The Mission. Weighing in are Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times, and Shawn Edwards, film critic for FOX-TV in Kansas City.

The latest film releases include The Exorcist: Believer, Cat Person, The Royal Hotel, and Dicks: The Musical. Weighing in are Tim Grierson, senior U.S. critic for Screen Daily, and Allison Willmore, film critic at New York Magazine and Vulture.

The latest film releases include The Creator, Saw X, Fair Play, and Dumb Money. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day, and Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times.

The latest film releases include “Flora and Son,” “Invisible Beauty,” and “The Origin of Evil.” Plus, “Stop Making Sense” is re-released in 4K IMAX. Hear reviews from Alonso Duralde and Dave White, film critics and co-hosts of movie podcast Linoleum Knife.

The latest film releases include “A Haunting In Venice,” “Cassandro,” “Rotting In The Sun,” and “A Million Miles Away.” Hear from Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times; and Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed.”

The latest film releases are “Scrapper,” “El Conde,” “The Nun II,” and “My Big Fat Greek Wedding 3.” Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day,” and William Bibbiani, film critic for the Wrap and co-host of the Critically Acclaimed Network.

The first time I did a film commentary for KCRW was so many years ago that listeners must have been listening on crystal sets. That long and wonderful run ends today, but not my connection with this special and essential station. I'd like to think you haven't heard the last of me here.

The hero of Robert Eggers's "The Northman," a Viking warrior in 9th century Iceland, thinks of nothing but avenging the death of his father, whose death may recall the plot of "Hamlet." Rivers of blood are spilled along the way in a dark saga that also casts a light on our time.

The lovers in "Paris 13th District," a romantic comedy by the French director Jacques Audiard, don't necessarily want to live the erratic lives they're living. They'd rather be solidly grounded, with good jobs and a stable network of friends. Or would they?

A new Netflix documentary, "Return To Space," may come on like a promotional piece for SpaceX, and why not? Elon Musk's aerospace venture has achieved remarkable things since it was founded two decades ago. The film is more than that, though. It charts the beginning of a new era in space exploration, and also serves as a testament to the power of failing upward. Way upward.

Watching the Oscarcast in all its astonishing amateurism and then watching "The Contractor" for review is an unwelcome reminder of the state of the movie medium.

Previous years of ratings declines don't bode well for the popularity of this year's Oscars show. Have the Oscars, and the movies, lost their place of preeminence in the entertainment universe?

By now it's no spoiler to say that the teenage heroine of Pixar's "Turning Red" turns into a panda whenever her emotions get out of control. It's a shame most people will see the film only on Disney+, but it's worth seeing anywhere for its buoyant spirit and brilliant animation.

A new Batman movie is upon us, with Robert Pattinson in the title role. "The Batman" isn't one more origin story, and yay for that--here's to storytelling in the present tense--or a conventional action thriller. It's the Dark Knight seized by deeply dark thoughts about what he's doing with his life, and what difference it makes in a world of overwhelming evil.

A new "Cyrano" with Peter Dinklage has much to recommend it, but the film is diminished by a dreary score and banal songs.

"Blacklight," starring Liam Neeson, is competing this week against "Death On the Nile." The latter isn't very good, but it's a professional entertainment. I've chosen to talk about the former because it's barely a movie at all. Rather, it's a rusty recycling bin that threatens, in its modest way, to contribute to the death of the movie medium.

Roland Emmerich's "Moonfall" contends that the moon is hollow, and sends it tumbling from orbit. Is the movie itself hollow or solid? A question for the ages that will nonetheless be answered here.