2.3 Formulaic Surprises
Listen now
Description
The 1,001 Nights are full of patterns; the stories have formulas, and this too anticipates the world of television, comic books, video games. Yasmine Seale, translator of the Nights, says in this episode, “Formula is essential to the work. It draws it force from accumulation. It draws its meaning from pattern.” But formulaic narrative doesn’t necessarily mean mind-numbing sameness. It can mean the opposite. Hearty White, the host of Miracle Nutrition on WFMU, talks in this episode about watching formulaic Three Stooges episodes, which don’t limit the viewer’s imagination. Instead, you get the sense that an artist like Hearty White is liberated by the formulaic, finds a field in which to play and invent within clichés or patterns. He says in this episode, of formulaic story: “I think what it does is, it frees you from the involuntary compulsive predicting that you have to do when you’re navigating your life. Maybe because the same thing is happening all the time you don’t have to guess.” For Katy Waldman, critic at The New Yorker, stories that serially, repeatedly suggest infinity also work with the sense that “things might end . . . but something will persist. And what on earth will that look like?” She describes a dystopian version of the liberating experience Hearty White finds in ongoing, repetitious story. Still, in either case, attention is repeatedly compelled to something beyond repetitions. We are, once more, in the world of night and the dreams that surpass the night. Learn more about your ad choices. Visit megaphone.fm/adchoices
More Episodes
The word “story” often comes after the word “bedtime,” and for good reason. Stories can frighten us, disturb and shock us, prompt us to change our thinking, but compared to most experiences, reading a story is tranquil. Podcasts, similarly conveying mediated encounters with other lives, are also...
Published 05/22/24
Published 05/22/24
“If my college-age self, reading White Noise, had thought I would one day be discussing word placement with Don DeLillo, I would have had a heart attack,” Deborah Treisman says in this episode. Since those days, in her role as fiction editor at The New Yorker, she has indeed discussed word...
Published 05/15/24