In the midst of war, the loss of his mother, and the heartbreak of unrequited love, poet W.H. Auden was rediscovering his faith. And the fitting response to the darkness and despair and apathy around him, he thought, was the Christmas event. So he set to work on a Christmas Oratorio called For the Time Being. Originally meant to be performed and sung, what emerged is a much more sobering and stark retelling of the Christmas narrative than you're used to. Auden's modernist poetry becomes a way for a modern humanity—whose resources are spent, whose plans have gone awry, whose hopes have been misplaced, whose sense of time has been unwound—to find redemption amidst the quotidian, the mundane, and the everyday. But also always in an eternally full "moment of decision"—a response to the bare fact of the Incarnation of God in infant Jesus. Evan Rosa is joined by writer Jeff Reimer (Associate Editor, Comment Magazine), who suggests that this modernist retelling of Christmas helps us to diagnose and treat the quintessentially modern vice of acedia, the noonday demon. They discuss the anachronistic cast of characters Auden uses to comment on the human condition. They read and marvel at several passages of the text. And they consider what Auden takes to be the matter of ultimate importance in our experience of Christmas: responding to the audacious claim that God has become human.