Sonic architect Graham Maby joins us to discuss his 50-something year career, which began with him fulfilling Joe Jackson’s vision for a bass-led pop combo, resulting in some of new wave’s most memorable songs. In addition to performing with a veritable Mount Rushmore of power pop auteurs - including Marshall Crenshaw and Freedy Johnston - the UK-to-Long Island transplant regales us with tales of doomed band auditions and fraught studio sessions, as well as meditations on a half a century of playing with Joe. Joe Jackson (https://open.spotify.com/artist/6KOqPxwfNAmZPkiCnDE9yT?si=NkUzH_ejRLOj41dRRicOQQ) Marshall Crenshaw (https://marshallcrenshaw.bandcamp.com/album/field-day-40th-anniversary-expanded-edition) Freedy Johnston (https://open.spotify.com/artist/5aeoG3xBrai5JsTqVmmgj0?si=R9McYGyKQtaxXcTcsphIeA) Natalie Merchant (https://open.spotify.com/artist/73JEBdDEFeVaOLg3y0HhBD?si=BDTXOp7kSlG8qz9Dz5FOFg) They Might Be Giants (https://tmbg.bandcamp.com/) The Health and Happiness Show (https://open.spotify.com/artist/7vFQW6uaEPhczx5FLeXzal?si=Ad8hA4hkTGO7Gx-LNDIm-g) Joy Askew (https://open.spotify.com/artist/0TkEsz8hJX1KaXWlKJLLLq?si=RGtQlfIYSTuLrfhbjbbYmw)