Todd loves the Oscars, so this week's episode features not just one but two Oscar nominees from this year's crop. First, Todd talks with Vox film critic Alissa Wilkinson about the year's biggest prizes.   Then he's joined by Julian Slater, the Oscar-nominated sound designer and sound editor of the action-musical Baby Driver. Julian tells Todd all about crafting the sonic world of one of 2017's most ambitious aural experiments, then he explains the difference between the Sound Mixing and Sound Editing Oscars' categories.   The episode concludes with a discussion with I, Tonya editor Tatiana Riegel who joins from Berlin to explain why editors are so important to the filmmaking process. She also talks about balancing the many complicated tones of one of the year's most tonally adventurous movies.