What you’ll learn in this episode:   How Esther’s experiences in China and India continue to influence her work today Why different materials have different meanings, and how that impacts the wearer Why the relationship between a jewelry artist and a customer is particularly special and intimate How wearing jewelry influences the way we move through the world The most important qualities a jewelry teacher should have   About Esther Brinkmann Esther Brinkmann is an independent jewelry maker living and working in Switzerland. Her work has been exhibited in galleries throughout the world and is held in the collections of the National Museum of Switzerland, Musée des Arts Décoratifs in Paris, Museo Internazionale delle Arti Applicate Oggi (MIAAO) in Torino, and the V&A in London. She established the Haute École d’Art et de Design (HEAD) in Geneva, the first jewelry education program of its kind in the country.   Additional Resources: Esther’s Website Esther’s Instagram Photos Available on TheJewelryJourney.com  Transcript:   Jewelry artist Esther Brinkmann makes her rings with intention, considering everything from the meaning of the material used to the way the shape of the ring will change how the wearer moves their hands. She has passed this perspective down to hundreds of students at the Haute École d’Art et de Design (HEAD), the jewelry program she founded in Geneva. She joined the Jewelry Journey Podcast to talk about how living in China and India made her question her identity and influenced her work; why many of her rings are designed to fit different sized hands; and what makes the relationship between artist and wearer so special. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it’s released later this week.   I recently went to Switzerland with Art Jewelry Forum. One of the afternoons we had was at Esther Brinkmann’s home. It was a very memorable lunch and afternoon. We got to see her studio, and on top of that, we had an unforgettable luncheon cooked by her husband, Warner. Esther’s work is very well known, although it’s not known so much here. It is found in prestigious museums. She was influenced by culture, especially in India and China, where she lived for more than 20 years with her diplomat husband. We also met a collectors’ club, the Magpies, which you’ll hear about. She’ll talk more about her philosophy and her jewelry. Esther, welcome to the podcast.   Esther: Thank you very much, Sharon, for inviting me to talk about my practice as an artist and as an educator. Thank you.   Sharon: You’re welcome. I’m glad you’re here. I was going to ask you why you think there are only certain areas of the world where your jewelry is known. For instance, I don’t think it’s known here. I don’t know it. I haven’t seen the jewelry here. If somebody said to me, “It’s an Esther Brinkmann piece,” I wouldn’t know what that meant.   Esther: That’s a difficult question. I guess it’s because I have never been collaborating with an American gallery, although I think I have a few pieces in American collections. My focus was, for many years, on European countries. As you were saying, we were living in China and India for 10 years, so I could show my work in those two countries. But America, it was a little bit far away, I think.   Sharon: Do you have more work in China and India and Europe than other places? I guess I’m asking that about China and India. Is your work more well-known there?   Esther: China and India are huge countries with numbers and numbers and millions and millions of people. I’m not very known in those two countries, but I am known in different universities, in different cities, as an ambassador for jewelry. When I was living in China and in India, I was