Today’s guest really makes me want to be more experimental…somehow. It’s Michael Wiener of The Children…(with the ellipses). They have just released what is technically their second album. But good luck finding the first. Michael’s household growing up was not typical. His mother was a pioneering photojournalist and his father was a child Holocaust survivor. And they encouraged his pursuit of the arts and culture, which led him to violin and piano lessons. But his initial professional foray into music was not via a band, but as a critic. This is how he met his future bandmates in The Children… Jim Coleman and Phil Puleo. The band has a very loose way of creating music. They do a lot of improvising and build their structure on that. Michael also explains how the band writes in layers, the malleability of memory, as well as the difficulties of writing in a band when it’s everybody’s side project.  The Children…have a new album out called The Craving on Erototox Records and it is…unique. It is delicate, heavy, menacing, and frenetic depending on what you’re listening to. It is a fascinating listen. Get the album on Bandcamp, from Erototox or wherever you get music (make sure you use the ellipses). Check out their Instagram page @thechildren_now. Follow us at @PerformanceAnx. Grab some merch at performanceanx.threadless.com or keep us awake with coffee at ko-fi.com/performanceanxiety. Now check out Michael Wiener of The Children…on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices