Caravaggio’s “Incredulity of St. Thomas”
Description
It was for one of his most important patrons, the fabulously wealthy banker, Vincenzo Giustiniani, that Caravaggio painted one of his most moving works – the “Incredulity of St. Thomas.” The skeptical apostle Thomas probes Christ’s wound with his finger in a disturbingly graphic way that only Caravaggio could represent.
In the fall of 1609, shortly after returning to Naples in hopes of receiving a papal pardon, Caravaggio was ambushed by four men who severely disfigured his face. It was a few months later that Caravaggio painted the “Denial of St. Peter,” which was one of his last two paintings and that perhaps...
Published 06/19/24
Painted for the Capuchin fathers at the church of Santa Maria degli Angeli in Messina, Sicily, in 1609, Caravaggio’s “Adoration of the Shepherds” is a moving spiritual scene within an impoverished and dilapidated setting.
Published 06/12/24