Alex Criqui and Dustin Klein never set out to make art that would grace the cover of National Geographic or be declared by The New York Times as the #1 “Most Influential Work of American Protest Art Since World War II,” but it happened. Alex describes how it started, where its going, and what its like to suddenly be thrust into national debates about social justice and the future of public art. For more information visit reclaimingthemonument.com Transcript is here.